GLASS EYE PIX Sizzle Reel The Larry Fessenden Collection The Ranger LIKE ME PSYCHOPATHS MOST BEAUTIFUL ISLAND Stake Land II STRAY BULLETS Darling ABCs of Death 2: N is for NEXUS Until Dawn Until Dawn: Rush of Blood LATE PHASES How Jesus Took America Hostage — “American Jesus” the Movie New Doc BIRTH OF THE LIVING DEAD Explores the Impact of the Ground-Breaking Horror Film NIGHT OF THE LIVING DEAD BENEATH THE COMEDY THE INNKEEPERS HYPOTHERMIA STAKE LAND BITTER FEAST THE HOUSE OF THE DEVIL I CAN SEE YOU WENDY & LUCY Liberty Kid I SELL THE DEAD Tales From Beyond The Pale Glass Eye Pix Comix SUDDEN STORM: A Wendigo Reader, paperbound book curated by Larry Fessenden Satan Hates You Trigger Man Automatons THE ROOST THE LAST WINTER WENDIGO HABIT No Telling / The Frankenstein Complex Impact Addict Videos
November 7, 2017
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Filmmaker: “No One Knew I Was There”: Ana Asensio on Most Beautiful Island

. . .

Filmmaker: How did Glass Eye Pix come aboard the project?

Asensio: I had known Larry Fessenden for a while, not quite as a friend but as an acquaintance, through the independent film community. I had the opportunity to work with him on one of his Tales from Beyond the Pale episodes, the radio series he produces. I mentioned to him that I was determined to make my film over the next year and that I wasn’t going to wait for anyone else. The film had a journey of going to different places and not being financed, so I was determined to do it myself with my own savings.

I told Larry about the story. He was interested and asked to read the script to see if he could help the film. He approached it as a friend, to see if he could advise me on the film. When Jenn Wexler, a producer at Glass Eye Pix, read the script, she sat down with Larry and they both decided that they wanted to make the film happen. They had limited resources, but we wanted to put our means together and see what we could do. It was fantastic. It was very collaborative from the very beginning and I had a lot of freedom. Larry, himself being a director, understood how a director feels when creating his or her own material and let me know that his door was always open if I needed to bounce off ideas. Glass Eye put all of the logistics together and even part of the financing at the very end.

Being a first-time director, it was a very safe environment to work in, being so exposed, as I am, in the film. This group of people took care of me and were protective of me as a first-time director. It was a really wonderful and nurturing experience….as well as wild [laughs].

Filmmaker: There’s a recognizable, practical style to Glass Eye films that Most Beautiful Island upholds. It’s independent genre filmmaking working within an economy of means, and there’s a human aspect centering the material. How did you find this film works within the the company’s previous filmography?

Asensio: I am a huge fan of Larry’s film Habit, a terrific, one-of-a-kind film that I would put at the top of everything at Glass Eye Pix. I am a fan of certain kinds of horror films (not all of them), but the nature of filmmaking that Glass Eye Pix displays was something that I’ve connected with from the very beginning. I knew that my film possessed a genre element, and knew that, although not a 100 percent horror film, it could appeal to the horror community as well.

. . .

Read full article at Filmmaker

November 3, 2017
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Ana Asensio’s MOST BEAUTIFUL ISLAND — NOW in theaters and VOD

“Most Beautiful Island presents an extreme example of what people will do to scrape by
but it does so without belittling its vulnerable characters.”
Village Voice

“Anchored by Asensio’s fearless and gripping performance,
“Most Beautiful Island” directs an unflinching point of view toward an often invisible population
.”

Los Angeles Times

“uses restless tracking shots, hectic cityscapes, ambient noise
and sequences of prolonged stillness to conjure unease and dread”
The New York Times

“MOST BEAUTIFUL ISLAND is one of the year’s best films.”
Rue-Morgue

“Ana Asensio’s directorial debut reveals a surprising,
strong-willed side to her undocumented New York immigrant character.”
Variety

“Asensio transports you into the streets of a distressed and grimy New York City
before plunging you into its dark and unforgiving depths
What you see there may shock you, but it sure does make for some gripping filmmaking.”
Bloody Disgusting

November 2, 2017
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NYT Critic’s Pick: MOST BEAUTIFUL ISLAND uses “prolonged stillness to conjure unease and dread”

November 1, 2017
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Ana Asensio’s MOST BEAUTIFUL ISLAND opens Friday November 3rd

MOST BEAUTIFUL ISLAND
written, directed and starring Ana Asensio
a Glass Eye Pix production distributed by by Samuel Goldwyn Films 

in theaters and on VOD this week

NYC engagement starts Friday Nov 3rd
at the AMC Loews 19th Street East 6.

Join us for the 7:30pm show
Q&A following the screening with Asensio, cast and crew members.

Tickets are available now

After the show join us for drinks at Old Town Bar (45 East 28th Street, NYC).

Winner of the SXSW Grand Jury Prize

An unusually insightful, pertinent and personal thriller
—L.A. Times

“utterly spellbinding debut that transforms the immigrant experience
into the stuff of an early Polanski psychodrama

— Indie Wire

The movie’s payoff is every bit as delicious as its build-up”
—Variety

spins a suspenseful web that delivers a truly shocking — and strangely satisfying — revelation
The Village Voice

A promising debut”
—The Hollywood Reporter

“A deeply unsettling and suspenseful tone poem”
SilverScreenRiot

MOST BEAUTIFUL ISLAND will also be available On Demand and VOD on November 3rd.

MOST BEAUTIFUL ISLAND Theatrical Screenings Listings 

Single & Early Screenings:
11/1 – Alamo Mason Park (Houston)
11/1 – Digital Gym @ Media Arts Center (San Diego)
11/1 & 11/2 – Zeitgeist Theater (New Orleans)
11/1 – Union Cinema (Milwaukee)
11/1 – Alamo Drafthouse (Yonkers)
11/2 – PFS Roxy Theater (Philadelphia)
11/2 – Jean Cocteau Cinema (Santa Fe)
11/2 – Apple Cinemas (Cambridge/Boston)
11/2 – Plaza Theater (Atlanta)
11/2 – Gateway Theater (Columbus)

Full Week Runs starting 11/3:
11/3 – Gateway Theater (Columbus)
11/3 – PFS Roxy Theater (Philadelphia)
11/3 – Roxie Theatre (San Francisco)
11/3 – Plaza Theater (Atlanta)
11/3 – Tower City Cinema (Cleveland)
11/3 – Laemmle Music Hall (Los Angeles)
11/3 – Apple Cinemas (Cambridge/Boston)
11/3 – AMC 19th Street (New York)
11/3 – AMC Universal Cineplex (Orlando)
11/3 – AMC Apple Valley 15 (Minneapolis)
11/3 – AMC Southfield 20 (Detroit)

Additional full week runs:
11/17 – Facets Cinematheque (Chicago)
11/24 – Jean Cocteau Cinema (Santa Fe)

November 1, 2017
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Entertainment Weekly: Illustrator Gary Pullin’s work to be honored in career retrospective

Long-time Glass Eye Pix collaborator
(Tales from Beyond the Pale artwork, BIRTH OF THE LIVING DEAD poster)
Ghoulish Gary Pullin
will be the subject of a new lavishly illustrated book featuring a forward by Fessenden
and written by GEP pal April Snellings 

Entertainment Weekly has the scoop!

November 1, 2017
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IndieWire: Overlook Film festival moves to New Orleans!

The festival that began as the Stanley Film Festival in Boulder Colorado and has hosted Tales From Beyond The Pale for three years running, most recently at the Timberline Lodge in Oregon, has moved again to the Haunted Bourbon Hotel in Haunted New Orleans. IndieWire has the scoop!
November 1, 2017
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FALL FORECAST

Fessenden has a peek at projects in the pipeline 

MOST BEAUTIFUL ISLAND in theaters and VOD Friday!

all available now
THE TRANSFIGURATION

CERTAIN WOMEN
STAKE LAND Collection
TALES FROM BEYOND THE PALE
HIDDEN AGENDA (PS4)

coming in December & January
PSYCHOPATHS

LIKE ME
THE INPATIENT (PS4)

In production and development
THE RANGER

Untitled Shudder Project

October 31, 2017
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McQuaid and Fessenden bid October adieu


Glenn McQuaid and Larry Fessenden at the NYC East Village haunt 2A
hosting their Halloween Eve Listening Party

 

October 31, 2017
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HAPPY HALLOWEEN from Tales From Beyond the Pale…

While you’re slithering into your special costume tonight… why not enjoy a special 10 minute episode of

Tales From Beyond the Pale

Performed Live in the Green Space, NYC Oct 10, 2016


“The Mask” features John Speredakos and Larry Fessenden

Live music and mix, Mr. Glenn McQuaid
Live foley, Tessa Price and Chris Skotchdopole
Tech, Lee Nussbaum
For all your TALES needs, visit: talesfrombeyondthepale.com
October 31, 2017
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FILMWAX RADIO hosts the Tales crew in latest podcast

Fessenden, McQuaid, Crampton and McLeod Chapman
talk TALES FROM BEYOND THE PALE with host Adam Schartoff