April 23, 2017
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TALES FROM BEYOND THE PALE at The Overlook Film Fest 4/29/17

Glenn McQuaid and Larry Fessenden are pleased to present a TALES FROM BEYOND THE PALE LIVE event at the Premiere Edition of the newly minted Overlook Film Festival outside Portland Oregon at the famed Overlook Hotel seen in Kubrick’s THE SHINING.

On the bill are two new macabre stories, penned just for the occasion: McQuaid’s Reappraisal and Fessenden’s  In The Wind. Lending their voice talents will be Tales regulars Clay McLeod Chapman and Sam Zimmerman along with special guests and your host, Larry Fessenden. McQuaid will be on hand to trigger music and effects, while Beck Underwood and Devin Febbroriello will provide foley, all live-mixed by audio maestro Lee Nussbaum.

The team promises to deliver thought provoking chills and thrills, and would like to remind you that if things get too scary… covering your eyes won’t help.

Special event poster by Brian Level.

Tales from Beyond the Pale
LIVE in The Barrow Room, Saturday, April 29 at 4pm

McQuaid and Fessenden are having none of it.

Now in its sixth year of operation, TALES FROM BEYOND THE PALE, the brainchild of Larry Fessenden and Glenn McQuaid, has delivered over forty original audio dramas to the eager ears of horror fans the world over. Their most recent batch of Tales, Season 3, “We’re All Ears” won Best Audio Drama Series at the New York Festival Audio Awards, and their forth season, “Wish You Were Hear,” a collection of live shows from the past three years is set to be released this Halloween.

April 22, 2017
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April 21, 2017
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Psychopaths LIVE talk at Tribeca

Tune in LIVE as Ashley Bell, Larry Fessenden, and Mickey Keating tell us about their new horror flick,
premiering at Tribeca 2017.

April 21, 2017
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Rue Morgue reviews PSYCHOPATHS: “a kaleidoscope of bizarre behavior and shocking bloodshed.”

Tribeca ’17 Movie Review: A world gone mad in Mickey Keating’s PSYCHOPATHS

Friday, April 21, 2017

“Rising horror director Mickey Keating has been exploring insanity for his last few films, and after the monochromatic psychodrama of DARLING and the desert dementia of CARNAGE PARK, he goes full-blown crazy with PSYCHOPATHS, abandoning conventional storytelling to plunge into the avant-garde.”

A world premiere at the current Tribeca Film Festival, PSYCHOPATHS was described by Keating during the post-screening Q&A as “a collage of violence and glamour,” and that’s a pretty accurate and succinct summation. To detail: the movie begins with the rants of serial killer Henry Earl Starkweather (Larry Fessenden), who promises that his impending execution will unleash an explosion of violent mania across the land. And sure enough, the ensemble we meet following his introduction is chock full o’ nuts. There’s Alice (PARK’s Ashley Bell), with a murderous split personality who dwells in a fantasy world modeled on 1950s musicals; the Midnight Strangler (James Landry Hébert), first seen claiming a victim in a seedy motel; and a killer (Shudder curator Samuel D. Zimmerman) who wears a series of plastic masks.

 Then there are those who victimize these victimizers, including Blondie (TRASH FIRE’s Angela Trimbur), a would-be Midnight Stranglee who turns the tables on her attacker and subjects him to even worse treatment than he had in mind for her, and an out-of-control cop (THE BATTERY filmmaker/star Jeremy Gardner) determined to nail the masked man. As we follow this gallery of maniacs, a couple of their exploits intersect, though Keating’s intent is less to create a shared-world narrative and more to present an overall environment of insanity, a kaleidoscope of bizarre behavior and shocking bloodshed.

 To do so, the writer/director applies a very loose approach to narrative that might confound viewers expecting a traditional portrait of some serial killers, and will fascinate others who’ll find themselves caught up in the accumulating, accelerating madness. Keating is after impact via imagery and sound, and both are as varied and off-kilter as the psyches on display, while he once again pays homage to past cinematic favorites. With cinematographer Mac Fisken, he adopts different lighting and color schemes from character to character, ranging from noirish shadow play to giallo-esque primary colors, and editor Valerie Krulfeifer assembles it all with echoes of David Lynch surrealism. That feeling is furthered by the soundtrack, including a mix of hypnotic original compositions by Shayfer James and others and some well-chosen vintage songs.

More than just a technical exercise, PSYCHOPATHS is also a showcase for several different styles of unhinged acting, which is what truly holds the attention. All the leads convincingly convey their variously disturbed states of mind, but Bell commands the most attention as the singing and dancing, slicing and dicing Alice. From THE LAST EXORCISM through the underseen THE DAY and now her one-two punch with Keating, she has proven herself a genre actress with true range and a willingness to play any role to the hilt. It has always been interesting to see which fear stream Keating will head down next, and one hopes he will continue to take Bell with him.

Read full review…

April 20, 2017
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The Ranger: Cast announced!

Jeremy Holm, Chloe Levine, and Amanda Grace Benitez will star in Jenn Wexler’s independent thriller “The Ranger,” Variety has learned exclusively.

Wexler was the lead producer on Ana Asensio’s drama “Most Beautiful Island,” which won the SXSW narrative competition last month.

Larry Fessenden’s Glass Eye Pix and Andrew van den Houten’s Hood River Entertainment are the production companies. Wexler produces along with Larry Fessenden and Heather Buckley for Glass Eye Pix. Andrew van den Houten and Ashleigh Snead produce for Hood River Entertainment.

“The Ranger,” which has started shooting in New York, is written by Wexler and Giaco Furino. It follows a group of teen punks who get in trouble with the cops. The kids escape to the woods to hide out, where they come up against the local authority, an unhinged park ranger with an axe to grind, hell-bent on preserving the serenity of his forest.


Holm’s credits include “House of Cards” and “Mr. Robot” while Levine has starred in “The Transfiguration” and “The OA.” Granit Lahu, Jeremy Pope, and Bubba Weiler also star.

“The Ranger” marks Wexler’s feature film directorial debut. She produced Robert Mockler’s “Like Me,” which debuted at SXSW, and Mickey Keating’s “Psychopaths,” which is set to world-premiere this week at the Tribeca Film Festival. She also produced Keating’s “Darling,” which launched at Fantastic Fest and was released in 2016.

Holm is repped by Leading Artists and managed by Lori Kay of Prevail Artist Management. Levine is repped by APA and managed by Carolyn Anthony of Anthony & Associates. Benitez is represented by AEFH Inc. and managed by Bob McGowan of Bob McGowan Management.

Variety has the scoop…

April 20, 2017
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Psychopaths premiere at Tribeca Film Fest

Mickey Keating’s PSYCHOPATHS world premiere
at the Tribeca Film Festival!

April 20th, 2017

Check listings…

April 17, 2017
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Jenn Wexler’s THE RANGER commences principal photography 16 April 2017

April 13, 2017
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TIME OUT NY: “Psychopaths” Top 10 Best of the Tribeca Film Fest

April 11, 2017
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PSYCHOPATHS exclusive first clip

Exclusive first clip from horror-thriller Psychopaths is (unsurprisingly) deranged


In the course of his short but prolific career, writer-director Mickey Keating has been responsible for creating some memorably twisted characters, from Lauren Ashley Carter’s unraveling housesitter in the haunted house film Darling to Pat Healy’s homicidal sniper in the survival-thriller Carnage Park. But, if we’re understanding matters correctly, with his new film Psychopaths, Keating has set out to see what would happen if he filled a film with nothing but maniacs.

The film concerns a sort of Mischief Night for a group of serial killers which is triggered by the execution by electric chair of a madman in an unidentified prison. There’s Alice (Ashley Bell), an escaped mental patient who thinks she’s living in a 1950s glamour world; Blondie (Angela Trimbur), a beautiful seductress who lures men down into her suburban basement; a strangler (James Landry Hébert) who preys on unsuspecting women; and an enigmatic masked contract killer (Sam Zimmerman) whose next job sends him to seedy nightclub. As the night progresses, the body count rises and the fate of these deranged murderers is sealed in blood.

Psychopaths receives its world premiere at the forthcoming Tribeca Film Festival on April 20. Watch the exclusive first clip above.


April 8, 2017
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Director Michael O’Shea waxes poetic in Filmmaker Magazine about horror, and his special brand of vampire film…

From the article:

O’Shea: Yeah, when I was 12 or 13, I worshipped horror movies. The first R-rated movie I saw was very meaningful to me. It was in the theater — The Island, playing with Jaws 2. The Island was the R-rated movie, and there was a lot of gore, and I loved it. In my teenage years, I was watching tons of David Cronenberg. I mean, I’m wearing a Videodrome shirt. Videodrome was one of my favorite films when I was a teenager and still to this day. Henry: Portrait of a Serial Killer was a film I saw when I was 16 or 17. It was hugely influential on me and on this film. When I was in my early 20s or late teens, I was reading about Larry Fessenden’s Habit and about this idea of taking vampires and putting them into a realistic setting. I remember thinking, “I want to do that, that sounds amazing.” It was so awesome to have Larry in the movie.

See the film at Angelika, NYC this weekend! Special Q&A with cast and crew Saturday night after the 7:30 Show