Director Aram Garriga’s documentary AMERICAN JESUS will run on
Time Warner Cable’s on-demand service VUTOPIA starting April 1st

The film will be released on all platforms May 13.

“Barcelona-native Aram Garriga makes a pilgrimage across America, conversing and consorting with Christ-loving bikers, street ministers, surfers, cowboys, and cage-fighters, exploring the wide spectrum of convictions, idiosyncrasies, and subcultures that populate this–to-many–parallel universe. It’s his outsider’s perspective that elevates him to a latter-day Alexis de Tocqueville as he studies America’s inclinations, character, prejudices and passions through its own preoccupation with, and entrapment within, the shimmering maze of materialistic determinism.

“Garriga’s gorgeously shot tableaux neither disparages nor mocks as it explores the paradoxical relationship between faith, politics, and the individual needs at odds with those of the collective’s in a world utterly foreign to the uninitiated. There is something to love and something to hate for both the secular and religious subset alike, and it’s perhaps that ingenious balance that makes this film one of the most important, honest, thought-provoking portraits of American society to date. Challenging and illuminating, this is bold, vanguard filmmaking at its finest.”

— Nicole McControversy

From Movies.com: 

“Larry Fessenden has been one of the most important figures in indie horror over the last decade. Not only does he lend his acting talent to movies like You’re Next, Jug Face and Session 9, but his company Glass Eye Pix produced The House of the Devil, The Innkeepers, Bitter Feast, Stake Land, and many, many more. He’s basically been a bit of a godsend to many young filmmakers looking to make the kinds of horror movies Hollywood doesn’t.

Fessenden is also a director in his own right, and his latest film hit Blu-ray and DVD this week. It’s called Beneath, and it’s about a group of friends who find themselves trapped on a lake by a giant, man-eating fish. And if that premise sounds delightfully old school to you, you’ll be happy to know the production is as well. Beneath is not a Syfy movie with a bunch of people fighting bad CGI. The toothy fish at the center here is a practical creation, and it’s an impressive one.

Also, Beneath is particularly noteworthy as a low-budget horror production because the majority of the movie takes place on the water, which isn’t exactly the easiest place to make a movie even when you’ve got millions and millions of dollars. That’s why, when we were able to chat with Fessenden on the phone earlier this week, we wanted to know all about why he took on such a difficult task, and what’s his overall impression on the horror industry today now that he’s been a part of it for so long.”

Check out the full interview on Movies.com

BENEATH is out now on Bluray and DVD!

From Derek Anderson at Daily Dead:

They thought they were friends. A man-eating fish proved them wrong. In director Larry Fessenden’sBeneath, six recently graduated high school friends cross paths with a massive, sharp-toothed fish on the secluded Black Lake. Confronted with a life-or-death situation, the teens discover how weak their bond really is as tempers rise, panic sets in, and the fish opens its jaws for the next meal.

Warned not to go out on Black Lake by family friend Mr. Parks (Mark Margolis), Johnny (Daniel Zovatto) leads his pack of pals out on the water one morning, anyway, figuring they’ll just cross to the other side in their rowboat. Besides, this is his big chance to reconnect with ex-girlfriend Kitty (Bonnie Dennison), even though her alpha male current boyfriend Matt (Chris Conroy) is along for the ride. Matt’s academic scholarship-receiving brother Simon (Jonny Orsini) also pines for Kitty, while sporty Deb (Mackenzie Rosman) just wants to make some final lasting memories with the gang. Aspiring filmmaker Zeke (Griffin Newman) seeks to capture these good times on the GoPro camera attached to his wrist. But when the lake’s freakishly large fish appears during a mid-lake swim, the group’s carefree day takes a hellish turn.

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Glass Eye Pix is returning to the Stanley Film Festival with the Stanley Edition of TALES FROM BEYOND THE PALE LIVE. Other events include FANGORIA and Shock Till You Drop’s Dead Right Horror Trivia Night, a Horror Immersion Game, Murder Mystery Dinner and Big Wheel Death Race.

Check out the full press release below and stay tuned for the full film lineup!

Get tix and more info on the festival at StanleyFilmFest.com

“The Stanley Film Festival (SFF) produced by the Denver Film Society and presented by NBC Universal’s Chiller, announced today its Opening Night film and several special event highlights and experiences taking place at the four-day event (April 24-27). The Stanley Film Festival celebrates the best in independent horror cinema at the hotel that inspired The Shining. The Festival will host a full slate of films, panels, competitions, and special events – all at the beautiful and historically haunted Stanley Hotel.

● EYE HEART BRAINS ZOMBIE CRAWL When there’s no more room in hell, the dead will walk the Earth. And, now you can too. Converge upon the Stanley Film Festival in style by participating in a good ol’fashioned Zombie Crawl hosted by Eye Heart Brains, purveyors of the world’s largest zombie gatherings. The death march will move along The Stanley Hotel grounds and through the neighboring streets of Estes Park in search of brains. BRAAAAIIIIIIIIINNNNNS!!”

From Sean Axmaker at Indiewire:

“Beneath” was one of the best horror film of 2013. But most people never heard about it.

Produced by Chiller, a horror-themed sibling to the SyFy cable network still struggling for name recognition and access to cable systems, “Beneath” is the first feature in almost a decade directed by Larry Fessenden. It played a few film festivals and received a limited (very limited) release in July before hitting cable on a channel that few viewers know exists. Which means that hardly anyone has had an opportunity to see the film. With the movie coming out on DVD and Blu-ray this week, that should change.

The limited coverage it has received so far, at least on the horror-centric sites, seems to have missed the point, or at least became so complacent in their own superiority to the conventions of the genre that they never noticed how cleverly Fessenden, who has been turning classic horror genres inside out for over twenty years, and the screenwriters transformed the conventions of this genre—notably the idiotic behavior of potential teenage victims—into defining elements of story and character.

“Beneath” is both a tribute to monster-in-the-woods and the creature-under-the-water horror (the opening dream sequence turns the “Jaws” prologue into a teenage wet dream) and a genuine indie drama in the guise of a horror film. It springs from Fessenden’s love of reimagining classic genres in modern terms and real-world situations, and for using the conventions to tell character stories. And it was accomplished on a commercial cable movie budget.

The opening act unfolds like a classic “teens under attack” horror film: six friends drive out to the woods to celebrate high school graduation with beer and fireworks on an island in the middle of an isolated lake. You can check off the tropes as they roll out: the competitive jock brothers, the nerdy video guy who won’t stop filming his friends (and provokes them in the name of drama), the bubbly and sweet-natured blonde babe that all the guys desire, the other girl (who just may also desire the blonde), and the brooding guy who guides them all to this hidden lake.

Johnny (Daniel Zovatto), the brooding one, knows of the legend a lake monster but neglects to tell his friends. Maybe he really doesn’t believe it, but he brings along a rustic charm just in case and he tries to give one to Kitty (Bonnie Dennison), the blonde. There’s even an old guy on the property (played by “Breaking Bad” drug kingpin Mark Margolis) with the usual warnings. Johnny assures him that he’ll keep the kids out of the water … because that’s gonna work out great. Sure enough, a monster of a catfish the size of a Buick comes prowling as soon as the kids jump in the water.

For the next half hour the kids do all the dumb, reckless, aggressive things guaranteed to strand them in the middle of the lake without a paddle. The jocks, pumped up on testosterone and their own egos, poke it with a stick, or in this case an oar. Old Man Catfish renders it to splinters with a mighty chomp. When they run out of paddles (because they aren’t bright enough to learn from their mistakes) they starts tossing one another overboard, voting members off the boat like a real-world “Survivor,” only here the losers become fish bait, sacrifices to distract an indifference fish god. And the aspiring director, Zeke, is there to record it all in his own reality horror.

Then something interesting happens. What first appears to be a lazy set-up to stake out its victims for the movie menace turns out to be an insidious insight to the true nature of its characters and the basis for the real conflict of the film. The crisis dredges up the envy, resentment, spite, and animosity these kids have been burying all this time under snarky remarks and dirty looks. Get past the genre and this is David Mamet in a boat, a savage portrait of survivalism at all costs. The so-called best friends turn on one other with a venomous vengeance.

“Beneath” turns into a smart, savage film that plays with the familiar conventions and then twists a knife in them, and it’s all done with a small cast, a confined space, and a script that reveals the worst in humanity. It looks less like a TV movie than a theatrical indie. Apart from the opening, it all takes place in the boat on the midst of a wooded lake, shot in the harsh light of day rather than the shadows of night, out in the open with a clean, sharp visual style. Not your usual visual strategy for a low-budget monster movie.

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