Directed by Graham Reznick.

Featuring Ben Dickinson, Duncan Skiles, Christopher Paul Ford,
Heather Robb, Olivia Villanti and Fessenden.

“I CAN SEE YOU heralds a splendid new filmmaker with one
eye on genre mechanics, one eye on avant-garde conceits
and a third eye for transcendental weirdness.
Filmmaker Graham Reznick arrives with a bang.”
– The New York Times

“Without a doubt one of the most intriguing and
well-crafted low-budget horror films
in recent memory.”
– Fangoria

“Ultimately opting for Brakhage over butchery,
by turning vision itself into a mind-frying
source of anxiety.”
-Village Voice

Rent on Amazon

Episode #33 SARAH MINDS THE DOG

Sarah gets herself into a bit of a pickle
when left in charge of the much loved Rottweiler of a Russian mob boss.

writer: Kim Newman, director: Glenn McQuaid
Featuring Leila George, Alison Wright, Richard Mazda,
Aidan Redmond, Larry Fessenden

Performed live October 16, 2012 • Poster by Brahm Revel

for more TALES physical media, info and Swag, visit
www.talesfrombeyondtheplae.com

Larry Fessenden with cinematographer Jack Fessenden shoot new short
for a forthcoming anthology of films shot during lockdown.
Mother Nature obliges.

Directed by Ilya Chaiken.

Starring Al Thompson and Kareem Savinon.

“Chaiken makes us feel for her characters… “Liberty Kid” is a poignant look
at what might be called 9/11′s collateral damage.”
– NEW YORK POST

“Her highly evolved feel for dialogue… goes a long way toward naturalizing
this rather high-concept undertaking, further helped by the seeming casualness
of Thompson and Savinon’s sharp thesping.”
– VARIETY

“Chaiken’s subtle narrative touch, along with the exceptionally strong performances
of leads Al Thompson and Kareem Savinon, gives this one a rare emotional pull.”
– NEW YORK MAGAZINE

Streaming on Tubi

Directed by Rob Kuhns

Featuring interviews from George A. Romero,
Larry Fessenden, Mark Harris and more.

“RIVETING… JAW-DROPPING… GLORIOUS.”
– LA WEEKLY

“Rob Kuhns’ marvelous doc about the making of Night of the Living Dead
looks at all the ways one low-budget, flesh-eating horror movie changed the world.”
– ENTERTAINMENT WEEKLY

CRITIC’S PICK! Mr. Romero, manifesting a self-effacing demeanor
and sensible humanity, is a most agreeable raconteur.”
– NY TIMES

“Four stars. Provocative… refreshing!” 
– TIME OUT NY

Now streaming on Amazon Prime Video

Episode #32 TALES WE TELL PART II

A writer reveals his dark past to an unfortunate stranger
on a long walk up a snowy mountain at dawn.

Writers: Larry Fessenden, Glenn McQuaid, Clay McCleod Chapman
Director: Larry Fessenden
Featuring: Larry Fessenden, Martha Harmon Pardee, Jocelyn DeBoer
Ana Asensio, Martin Starr, AJ Bowen, Sam Zimmerman
music: Chrome Canyon

Performed live April 26th, 2014 • Poster by Trevor Denham

for more TALES physical media, info and Swag, visit
www.talesfrombeyondtheplae.com

Directed by Larry Fessenden

Starring Miriam Healy-Louie, Stephen Ramsey
and David Van Tieghem.

“A smart, spare, skewed update of the Frankenstein story.”
– VILLAGE VOICE

“Delivers its message with meaning, honesty and jolting, purposeful gore.
NO TELLING should have been released on video years ago.”
– VIDEO BUSINESS

“A disgusting, horrifying spectacle.”
– THE BOSTON PHEONIX

Now streaming on IFC Unlimited

GEP pal and longtime collaborator Robert Leaver (co-writer, THE LAST WINTER,
performance artist Crawling Home) and music video muse
(Dig A Hole, Days of Never Before, Crawl Away with Me)
releases Fessenden-directed “artisanal” video Let Me Drive
for his Ben Harper-produced album BIRDTHROWER.

American Songwriter sat down with Leaver and Ben Harper to discuss:

Birdthrower Available Now on Ben Harper’s Mad Bunny Records

Directed by Jack Fessenden.

Starring Asa Spurlock, Jack Fessenden, James Le Gros,
John Speredakos, Larry Fessenden and Kevin Corrigan.

“A blazingly confident feature debut…
An enjoyably blood-soaked thriller with unexpectedly
lyrical interludes… strikingly impressive”
– Hollywood Reporter

“What distinguishes Stray Bullets from so many other
low-budget crime films is Fessenden’s sense of quietness,
reduces a stock scenario to its primal essence, informing
genre blood sport with pulp transcendentalism.”
– Slant Magazine

“a pungent, tactile sense of place…
de-emphasizes the crime drama for the sake
of character development”
– J.B. Spins

Watch on Vudu