Indiewire’s back with another Season 3 episode of TALES FROM BEYOND THE PALE. Listen in to the second installment in McQuaid’s loose “crime of passion trilogy.”

Read on for more info and an interview with Glenn McQuaid.

Fessenden’s often maligned first feature NO TELLING (1991) crops up on Fangoria’s The Dreadful Ten: Top 10 Horror Films Worth Hunting Down List. check out the other films that made the grade here

GEP Pal Mickey Keating to unspool world premiere of CARNAGE PARK in the Midnight Slate at Sundance 2016.

Carnage Park / U.S.A. (Director and screenwriter: Mickey Keating) — The year is 1978. A team of wannabe crooks botch a small-town bank heist and flee with their hostage deep into the California desert, where they inexplicably find themselves in a harrowing fight for survival against a psychotic ex-military sniper. Cast: Ashley Bell, Pat Healy, Alan Ruck, Darby Stanchfield, James Landry Hébert, Larry Fessenden. World Premiere

for other entries, check Deadline

Indiewire’s hosting brand new Season 3 episodes of TALES FROM BEYOND THE PALE. Check out the newest, JUNK SCIENCE by Brahm Revel.

Read on for more info and an interview with Brahm Revel.

Indiewire’s hosting the very first Season 3 episode of TALES FROM BEYOND THE PALE. Check out Stuart Gordon’s ‘H.P. Lovecraft’s THE HOUND’ and let the madness of the third season seep in!

Read on for more details and Stuart Gordon’s thoughts on the project

The good folks over at Indiewire just released an exclusive first look at every poster from the upcoming season of TALES FROM BEYOND THE PALE. These retro-inspired beauties by Graham Humphreys are guaranteed to pique your interest and get you jazzed about the new season.

To see all the posters check out Indiewire.

Our 30th Anniversary Hootenanny continues with this series of Legacy Docs celebrating the community and collaborators that have kept us honest all these years…

Adam Barnick put together this portrait of GEP’s longest-running collaborator BECK UNDERWOOD, responsible for logos (HABIT, NO TELLING, WENDIGO), art departments (HOLLOW VENUS, I SELL THE DEAD, BITTER FEAST, STAKE LAND), script writing (NO TELLING, HABIT), GEP advent calendars, the CREEPY CHRISTMAS FILM FESTIVAL, the brand new TALES FROM BEYOND THE PALE teaser… and some mayhem of her own… check it!

We’re teaming up with Indiewire to present brand new episodes of TALES FROM BEYOND THE PALE.

“Indiewire is partnering with the independent horror studio Glass Eye Pix to provide exclusive first looks at the new episodes of its radio theater show “Tales Beyond the Pale.” Each Friday through mid-December, new episodes from the third season of the eerie audio plays will be available on the site for exclusive two-day windows alongside interviews with the talent.”

Read on for more info about the collaboration and an interview with Fessenden and Glenn McQuaid.

Supermassive Games, the makers of the Fessenden and Graham Reznick-scribed PS4 game UNTIL DAWN, have just announced that a new game, UNTIL DAWN: RUSH OF BLOOD will hit in 2016 as a Virtual Reality game.

Will you be able to keep everyone alive… again?

Read on for the full report.

The Fessenden-EP’d ENTERTAINMENT, director Rick Alverson’s follow up to the GEP-Produced THE COMEDY, opens in theaters today. See the film that Jeannette Catsoulis of NY Times calls a “downward odyssey that’s hard to shake off.”

From the NY Times:

By Jeannette Catsoulis

Watching “Entertainment” is a profoundly uncomfortable, some would say repellent, experience that isn’t easily forgotten. Yet I left this barbed portrait of a cracking-up comic with more than a little respect for its fearless director, Rick Alverson, and his trusting star, Gregg Turkington. You can’t deny that they’re a match made in heaven.

Or at least in the California desert, where Mr. Turkington, known simply as the Comedian (and playing a version of his real-life stand-up persona, Neil Hamburger), schlumps from one seedy, underpopulated gig to another. Onstage, carefully arranged strands of comb-over cling to his pallid forehead like wet seaweed, and spare drinks nestle in the crook of his arm. Whether he’s spewing tasteless riddles or responding to hecklers, his act is a sewer of misogyny, homophobia and sexual insult. There is also an unspoken sense that his audiences — trimmings of humanity trapped in a soulless limbo of dust and dive bars — deserve no better.

Capturing a world of flyblown mirrors and sad carpeting, where shirts are washed in motel room sinks, and terrible things happen in public restrooms, Mr. Alverson jacks up the tension with exquisite restraint. Winding scene after scene to a breaking point, he brings our discomfort to a rolling boil, then quietly backs away. Amplified by the stillness of Lorenzo Hagerman’s camera, these moments inspire an apprehension that feels slightly sadistic, as if Mr. Alverson were enjoying his screw-turning a little too much.

Even if he were, there’s a strange nobility to this downward odyssey that’s hard to shake off. Snippets of well-chosen music appear judiciously, though not in the movie’s best scene: a squirmy bathroom encounter between the comedian and a tense young stranger (a perfect Michael Cera). When the comic warns his new acquaintance to back off, we know the younger man would do well to listen. JEANNETTE CATSOULIS

“Entertainment” is rated R (Under 17 requires accompanying parent or adult guardian). Foul language, flowing alcohol and frightening midwifery.