7:30 Doors
8:00 BMT (Bob Bert, Mark Morgan, Tim Dahl)
9:00 Wharton Tiers Ensemble
10:00 King Missile (Dog Fly Religion)
$15

On his last night before being beheaded, a graverobber recounts
his supernatural encounters with evil ghosts, vengeful zombies, vampires and ghouls.

directed by: Glenn McQuaid
starring: Dominic Monaghan, Ron Perlman, Larry Fessenden
2008 / 85 min / 2.35:1 / English DTS-HD MA 5.1

Cover art by Chris Barnes aka BRUTAL Posters

Additional info:

• Region A Blu-ray
• New audio commentary with writer/director Glenn McQuaid and producer/actor Larry Fessenden
• New audio commentary with film critic Simon Abrams
• Video intro to the film by Glenn McQuaid and Larry Fessenden
• New video interview with actor Ron Perlman
• Grimes and Blake Pitch Reel
• Tales from Beyond The Pale: TRAWLER Episode
• Archival audio commentary with actor Dominic Monaghan and Larry Fessenden
• Archival audio commentary with Glenn McQuaid
• The Making of I Sell the Dead – an archival, hour long, documentary
• The Visual Effects of I Sell the Dead – an archival featurette about the film’s special effects
• Theatrical trailer
• Booklet featuring new writing by film critic Isaac Feldberg
• English SDH subtitles

PRE-ORDER NOW

TOMORROW! Saturday Mar 28, 7PM
at Alamo Drafthouse in Brooklyn, NY.

With co-writer Clay McLeod Chapman in attendance.

Boyd Grayson is an Irish playboy who delights in bringing men home to his sprawling family estate for sex, just to spite his legacy-obsessed mother, reminding her she’ll never get the grandchildren she craves. When an accident leaves him incapacitated, Boyd finds himself handless, helpless, and at the mercy of her care.

Luckily for Boyd, his mother’s familial wealth has given him the opportunity to be the first person in the history of the world to pilot an experimental technology: mechanical hands controlled entirely by his subconscious. Soon, however, the hands begin to move on their own… even when they’re not attached to Boyd’s body.

Chris Colfer playing Irish, Alice Krige playing a matriarch trying to rebuild her son at any cost. Add to the mix disembodied hands that come to life, a crumbling estate full of barbed arguments, and a gallery of characters as despicable as they are magnetic. Colfer and Krige are delicious as cinema’s most twisted mother-son duo you can’t help but adore, and Declan Reynolds as Lee will become the new horror heartthrob of your gay dreams.

Director Glenn McQuaid embraces the melodrama with a sharp eye and fearless sincerity, grounding the film’s outrageous premise in real emotion.

GET YOUR TIX HERE!
HURRY! They’re sellin’ fast!

James Siewert’s music video for Just Desserts’ TENDER
from the album CURTAINS now available on Youtube.

Just Desserts continues the rollout of the new album CURTAINS
with airplay on old-fashioned platforms like the radio,
charting on top 200 for 6 weeks running, including

WXAV, Chicago, IL. WHFR (Detroit market)
WTJU (Charlottesville, NC – Core)
FAI DJ at KOCF (Veneta, OR)
RMR Top 50 Albums Charts for Folk: #29 (#35 LW)
Alternative Folk: #8 (#12 LW) and New York: #20 (#22 LW)
etc… 

Have a listen to CURTAINS on youtube!

Looking forward to playing out this Spring.
Meanwhile, check us out at
JustDesserts.nyc

Laëtitia Hollard talks being on HBO’s THE PITT,
being cast in Fessenden’s TRAUMA and drops the World Premiere
news of TRAUMA at Overlook Film Festival!

Interview with Lois Drabkin
Published on March 14, 2026

Casting Director Lois Drabkin discusses her collaboration with Glass Eye Pix on films including BENEATH, THE RANGER, FOXHOLE, BLACKOUT and TRAUMA OR, MONSTERS ALL as well as her contributions to SIZE UP, CRUMB CATCHER and UNTIL DAWN among many diverse projects. Interview and Edit by Larry Fessenden.

Watch other MINIDOX featuring an array of Glass Eye Pix filmworkers

Now It Can be told:

Fuller’s latest album is the original soundtrack to Everything Must Go, directed by Ted Geoghegan. Marking his first non-adult-industry soundtrack, Fuller was encouraged by Geoghegan to lean into an ’80s synthwave sound. Naturally, Fuller interpreted that note as permission to go all-in on vintage textures, analog pulse, and synthetic choir sounds inspired by films such as Demons. In fact, Fuller even convinced his label-mates Witchboard to remix the final track on the album, which they’ve fittingly titled “The Demoni Mix.” The result is a neon-tinged choir of strung-out angels (or demons) wrapped in late-night electronics and a distinctly retro sense of dread.

credits
released March 4, 2026
ALL MUSIC BY LUKE FULLER except for Track 8 THE MALL Demoni remix by Witchboard