GLASS EYE PIX Sizzle Reel TRAUMA OR, MONSTERS ALL BLACKOUT DEPRAVED HABIT Oh, The Humanity! The Films of Larry Fessenden and Glass Eye Pix at MoMA The Larry Fessenden Collection Let’s Get Physical BENEATH THE LAST WINTER WENDIGO No Telling / The Frankenstein Complex FEVER ABCs of Death 2: N is for NEXUS Skin And Bones Until Dawn PRETTY UGLY by Ilya Chaiken BLISS by Joe Maggio CRUMB CATCHER by Chris Skotchdopole FOXHOLE Markie In Milwaukee The Ranger LIKE ME PSYCHOPATHS MOST BEAUTIFUL ISLAND Stake Land II STRAY BULLETS Darling LATE PHASES How Jesus Took America Hostage — “American Jesus” the Movie New Doc BIRTH OF THE LIVING DEAD Explores the Impact of the Ground-Breaking Horror Film NIGHT OF THE LIVING DEAD THE COMEDY THE INNKEEPERS HYPOTHERMIA STAKE LAND BITTER FEAST THE HOUSE OF THE DEVIL I CAN SEE YOU WENDY & LUCY Liberty Kid I SELL THE DEAD Tales From Beyond The Pale Glass Eye Pix Comix SUDDEN STORM: A Wendigo Reader, paperbound book curated by Larry Fessenden Collectible WENDIGO Figures from Glass Eye Toyz and Monsterpants Studios Satan Hates You Trigger Man Automatons THE ROOST Impact Addict Videos
December 18, 2015
Share:
Facebook Twitter Email

DVD BEAVER on The Fessenden Collection: “WOW, WHAT A SET!”

Firstly, WOW – what a set! We get the features on four separate dual-layeredBlu-ray discs loaded with extras. Shamefully, all I knew about Larry Fessenden was that he wrote the booklet available with the Kelly Reichardt Collection citing him as a collaborator. And it was excellent. Kudos to my buddy Colin for alerting me to this as a worthy purchase. Was he ever right!

What makes me recommended this so strongly are the films – criminally under-rated – Mr. Fessenden is a force and I love his style. These are cool, if totally imperfect, flics – Wendigo (always had a thing for Clarkson) especially made my day, but Habit is remarkably chilling. I was a shade uncomfortable with No Telling but was swept right up in The Last Winter. I LOVE being introduced to new auteurs like this wayward genius, styles and signatures. The films are weak in some areas but offer strength in visuals. Fessenden’s works here thrilled me. I wish I had a set like this every week to cover. Our highest recommendation to those with an open mind and who appreciate the lower-budgeted horror genre! I’m a fan of Larry Fessenden!

package

Read the review at DVD Beaver

December 17, 2015
Share:
Facebook Twitter Email

CUT PRINT FILM gives Fessenden Collection 5/5

CUT PRINT FILM reviews the Fessenden Collection
OVERALL 5/5

larry_fessenden_collection_coveLarry Fessenden, the on-screen kill guy, might be a recognizable name in horror-loving households, but Larry Fessenden, the director, may not. He may never be as celebrated as John Carpenter or George Romero, but his devotion to and knowledge of the genre – and of filmmaking in general – cannot be denied. That four of his best films have been gathered together in this collection doesn’t just make for a simple and tidy blu-ray package, but a rightful celebration of a director’s work, and of someone who doesn’t make typical horror films. In Wendigo, a father tells his son about Robert Frost, the poet who took the road less traveled and it’s made all the difference. That, right there, perfectly sums up the career of Larry Fessenden. (Plus he has really cool hair!) This set comes highly recommended.

December 16, 2015
Share:
Facebook Twitter Email

Engadget Names UNTIL DAWN One of Their Fave Games of the Year

Timothy Seppala, writing for Engadget, names UNTIL DAWN his favorite game of the year.

“I never thought a video game would make me feel like Wes Craven. Before I started playing Until Dawn, I was almost positive that Sony’s advertising and marketing teams were ignoring it for a reason. Imagine my delight when I realized I couldn’t have been any more wrong.

Supermassive Games’ PlayStation 4 debut is unlike any big-budget game I’ve played in ages. Rather than sticking a gun in my hand, it sat me down in a director’s chair and essentially told me to craft my own horror movie. It could’ve been disastrous, but Supermassive intrinsically gets what makes for a good horror flick: the unknown, atmosphere, killer writing, and great performances from (mostly) unknown actors.

Sure, I’ve played scarier games (oh hi, Outlast and Dead Space), but those weren’t necessarily “fun” for me; I only made it an hour into the former before NOPE-ing out. Until Dawn expertly balances scares and an atmosphere of unease with genuinely funny bits to lighten the mood. This alone makes it much easier to play for extended periods. But even if I hadn’t needed to pack my play-through into a weekend, I still would have. It didn’t take long for the game’s hooks to dig in and pull me through experiences that I didn’t think were possible in a big-budget video game and I couldn’t wait to see the next one.

My filmmaking talents peaked with a crappy stop-motion short at community college, but my appreciation for movies has done the exact opposite. I don’t know why I’m surprised a video game that lets me live out an altogether different childhood dream had such an impact on me, but here we are. Supermassive Games, you have my undivided attention.

Honorable mention: Fallout 4, Bethesda Game Studios (PC, Xbox One, PlayStation 4)”
December 15, 2015
Share:
Facebook Twitter Email

L.A. Times: Fessenden Box Set one of Best of 2015

The best DVD releases of 2015: ‘Mad Men,’ Miyazaki, ‘Rocky Horror,’ Quay Brothers, Murnau… and Fessenden.

“The Larry Fessenden Collection” (Scream! Factory/IFC/Glass Eye Pix): One of the best arguments for the continued existence of physical media is this box set spotlighting the work of one of America’s most original horror auteurs. Fessenden has quietly put together a body of features, shorts and experiments that make more sense when they’re gathered all in one place than when they’re scattered.

read full list here

December 12, 2015
Share:
Facebook Twitter Email

Berk and Olsen’s BODY opens theatrically 12.11.15 at Midnight

bodygirls

Fessenden with costars Molina, Turshen & Rogers
at the midnight premiere at IFC, NYC

from the review at rogerebert.com;

The film follows three twenty-something women on the night before Christmas Eve. Cali (Alexandra Turshen) and Holly (Helen Rogers) visit their friend Melissa (Lauren Molina) at Melissa’s parents’ house.

Turshen, Roger, and Molina have genuine sisterly camaraderie, so much so that it doesn’t matter that the dialogue and situations they find themselves in before being discovered is so light that you’ll barely remember it when the film ends. That’s actually the secret of the film’s success: it maintains a certain tempo and interest that you’re so immediately involved you don’t even realize you’re being sucked in.

A perfect example of the unassuming spell “Body” casts: Larry Fessenden’s excellent performance as … well, I can’t really tell you that. Fessenden, a horror filmmaker who has nurtured several talented American indie horror filmmakers at his own Glass Eye Pix distribution label, is an exceptional character actor. He steals every scene he’s in, and his big scene in “Body” is no different. Fessenden is an ideal bit player: he lures viewers in without going so far over the top that his performance seems to hail from a completely different film. He can be a ham, but Fessenden’s performance in “Body” is magnetic, and leaves you feeling like you’ve been turned inside-out.

But “Body” is not about Fessenden. He’s a key part of the film’s success, but no single part of the movie is more important than the rest. The film’s exceptionally consistent mood is its main appeal. For that reason, “Body” reminded me of supposedly minor Alfred Hitchcock masterworks “Dial M for Murder” and “Rope.” In those earlier thrillers, Hitchcock’s unmistakable talent serves ideas that seem to evaporate, or at least lose their thematic weight as soon as soon as you’re done watching. One can only hope that Berk and Olsen’s body of work grows to the point where “Body” is unfairly remembered as a minor success.

Still, right now, we’re at the beginning of Berk and Olsen’s promising career, and most viewers don’t know that “Body” is a must-see. “Body” may be the kind of genre film you take for granted, but there’s nothing inessential about a sharp, well-crafted thriller just because it’s not particularly flashy, and doesn’t have any big ideas. No, “Body” may not be the kind of modern-day B-movie that wins awards, but it does exactly what it sets out to, and that’s a fair amount. So go ahead: see this film for yourself. You won’t know what hit you.

body-poster_web_FINAL-630-thumb-630xauto-57132

 

 

December 11, 2015
Share:
Facebook Twitter Email

LISTEN NOW: Take a Listen Down the Drain with Jeff Buhler’s GUTTERMOUTH – TALES FROM BEYOND THE PALE SEASON 3

Indiewire hosts Jeff Buhler’s GUTTERMOUTH, a new TALES FROM BEYOND THE PALE episode inspired by the fact that he’s “always been terrified of drains.” Streaming now!

 

Read on for more info and an interview with Jeff Buhler.

December 11, 2015
Share:
Facebook Twitter Email

LISTEN NOW: Fessenden’s Eco Thriller NATURAL SELECTION – TALES FROM BEYOND THE PALE SEASON 3

It’s Friday, so it must be time for new TALES FROM BEYOND THE PALE! NATURAL SELECTION, by Fessenden, starring Dominic Monaghan, streaming now on Indiewire.

 

Read on for more info and an interview with Fessenden and Monaghan.

December 11, 2015
Share:
Facebook Twitter Email

UNTIL DAWN #12 on VICE’s Top 20 Games of 2015

VICE Gaming ranks the twenty best games of the year, and UNTIL DAWN takes the #12 spot!

the-top-20-video-games-of-2015-according-to-vice-999-body-image-1449222252-size_1000

12
Until Dawn
(Supermassive Games; PlayStation 4)

One of the year’s sleeper hits, Until Dawn lines up a gaggle of (older-looking) teenage stereotypes in order for the player to attempt to keep them alive in the face of isolated mountainside terror. Except, once you realize you’re directing proceedings, it’s just as much fun to bump a few off. After all, what good horror film lets everyone live?

Head over to VICE for the full list of the 20 best games of the year.

December 11, 2015
Share:
Facebook Twitter Email

Blumhouse tags McKenney Mini Doc

Satan_Hates_You-900x750

From Blumhouse:

Glass Eye Pix Gets Real with SATAN HATES YOU Director James Felix McKenney
by Gregory Burkart

The folks at indie horror powerhouse Glass Eye Pix continue to celebrate their 30th Anniversary with the next installment in an ongoing series of mini-documentaries on the company’s many creative collaborators and contributors (if you missed it, be sure to check out this profile of animator Beck Underwood, whose work with creepy dolls and toys will chill and delight you).

Today’s chapter focuses on James Felix McKenney — a man who has donned many horror hats over the past three decades: he’s the man behind cult horror projects AUTOMATONS, HYPOTHERMIA and SATAN HATES YOU; he founded his own production company Monsterpants Movies; and he was the very first full-time employee of Glass Eye Pix founder (and beloved genre icon) Larry Fessenden (HABIT, THE LAST WINTER). He’s since become manager on several of their projects, including the current season of the hit horror radio show TALES FROM BEYOND THE PALE.

Watch the mini-doc below and find out what horrific mischief he’s up to now!

 

December 9, 2015
Share:
Facebook Twitter Email

New 30th Anniversary mini-Doc: James Felix McKenney, long-time GEP collaborator

Our 30th Anniversary Hootenanny continues with this series of Legacy Docs celebrating the community and collaborators that have kept us honest all these years…

Chris Skotchdopole edits this interview by Fessenden of Glass Eye Pix with writer, director, producer and special projects instigator James Felix Mckenney, aka Monsterpants.