The comic book adaptation of WENDIGO (now reprinted digitally on Comixology) by Fessenden, Brahm Revel, and Peter Chung, makes The Creators Project’s list of the best comics of the week.

Story by Larry Fessenden, art by Brahm Revel, letters by Peter Chung.

Based on the Glass Eye Pix film Wendigo (2001) written and directed by Larry Fessenden, this comic adaptation originally hit shelves almost 15 years ago. Now, thanks to Comixology, the frenetic work is available again digitally. The story follows a family taking a weekend off in the woods, and follows a tenuous relationship between a father, a son, a mother, a hunter, and a Wendigo—an Algonquian cryptozoological spirit of the forest. Full of tense moments and complicated family dynamics, and illustrated in stark black-and-white by Revel that invoke everything from early American woodcuts to Chick tracts, Wendigo is a 70-page love letter to folkloric horror.

Read the full article here.

A Glass Eye Pix produced short, The Past Inside the Present premiered at this year’s Slamdance Film Festival 2016. Get an inside look with director James Siewert on the 3 year process of making the film.

This Fantastic vintage Glass Eye Pix black & white comic book written by Fessenden and illustrated by Brahm Revel is now available for Digital Download through ComiXology. This  book was the launch of an ongoing collaboration between Revel and Fessenden that spawned several subsequent comic books, design projects, advent calendars, and an audio drama. Featuring a brand new rendition of the original cover. See where Fessenden’s Wendigo fetish began (and don’t forget to order your copy of  Sudden Storm: A Wendigo Reader)

Wendigo 

buy on ComiXology

buy physical copy at amazon

check out other Glass Eye Pix Comix at ComiXology

Our 30th Anniversary Hootenanny continues with this series of Legacy Docs celebrating the community and collaborators that have kept us honest all these years…

Glass Eye Pix 30th Anniversary Mini-Doc: Makeup artist Brian Spears has been creating monsters and gore effects for Glass Eye Pix since 2007’s I SELL THE DEAD. With his partner Peter Gerner, Spears has created ghosts, vampires, zombies and even an old man in GEP films BLOOD RED EARTH, BITTER FEAST, STAKE LAND, HYPOTHERMIA, THE INNKEEPERS, BENEATH, LATE PHASES, DARLING and RIDING SHOTGUN. Spears recalls the family atmosphere at Fessenden’s production company over the years. Edit by Chris Skotchdopole.

Blumhouse reveals new artwork from Fessenden’s SUDDEN STORM, A Wendigo Reader. Glass Eye regulars Gary Pullin (top) and Trevor Denham (bottom) offer images of the specter. From Blumhouse:

“As can see here, the book also features many jaw-dropping illustrations, featuring original art by well-known genre artists like Gary Pullin, Graham Humphreys, Isabel Samaras, Trevor Denham and many more… as well as drawings by Fessenden himself.

I’ll be back soon with a full overview of the book, which I’ve been ravenously consuming (pardon the pun) this week… but if you can’t wait, you can pick up a copy now via Amazon.”

Fantastically illustrated by Brahm Revel, this lavish adaptation of the script by Larry Fessenden and Robert Leaver is now available in digital form from ComiXology, featuring the unique animation function that makes comics come alive on your favorite device. Featuring a brand new cover especially designed for the digital release.

The Last Winter

Reviews are in for Mickey Keating’s DARLING, starring Lauren Ashley Carter, Brian Morvant, Sean Young, and Fessenden.

“Filled with gorgeous black and white cinematography,
disjointed and off-kilter soundtrack choices, 

whispering voices, shocking violence, and subliminal edits
(not to mention an ever growing sense of dread), 

DARLING is the perfect fusion of arthouse and grind house…
the performance of lead actress Lauren Ashley Carter really hits this one home. 

5 stars / 5″

Bloody Disgusting scoops the newest casting news on Mickey Keating’s currently-in-production PSYCHOPATHS.

“Bloody Disgusting was able to exclusively nab the first batch of casting, which include all sorts of genre vets from The Battery director Jeremy Gardner to Graham Skipper (The Mind’s Eye, Almost Human), Helen Rogers (V/H/S, Body), Matt Mercer (Contracted, Madison County, The Mind’s Eye), Larry Fessenden (Southbound, The Mind’s Eye, In a Valley of Violence), and Shudder curator Sam Zimmerman.”

Read on for the full report from BD.