GLASS EYE PIX Sizzle Reel Collectible WENDIGO Figures from Glass Eye Toyz and Monsterpants Studios Oh, The Humanity! The Films of Larry Fessenden and Glass Eye Pix at MoMA The Larry Fessenden Collection BLACKOUT DEPRAVED BENEATH THE LAST WINTER WENDIGO HABIT No Telling / The Frankenstein Complex FEVER ABCs of Death 2: N is for NEXUS Skin And Bones Until Dawn PRETTY UGLY by Ilya Chaiken BLISS by Joe Maggio CRUMB CATCHER by Chris Skotchdopole FOXHOLE Markie In Milwaukee The Ranger LIKE ME PSYCHOPATHS MOST BEAUTIFUL ISLAND Stake Land II STRAY BULLETS Darling LATE PHASES How Jesus Took America Hostage — “American Jesus” the Movie New Doc BIRTH OF THE LIVING DEAD Explores the Impact of the Ground-Breaking Horror Film NIGHT OF THE LIVING DEAD THE COMEDY THE INNKEEPERS HYPOTHERMIA STAKE LAND BITTER FEAST THE HOUSE OF THE DEVIL I CAN SEE YOU WENDY & LUCY Liberty Kid I SELL THE DEAD Tales From Beyond The Pale Glass Eye Pix Comix SUDDEN STORM: A Wendigo Reader, paperbound book curated by Larry Fessenden Satan Hates You Trigger Man Automatons THE ROOST Impact Addict Videos
May 11, 2021
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Cutting Room #190: Michael Caine Teaches Acting In Film

May 7, 2021
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Fessenden interviewed on Monsters, Madness & Magic Podcast

Available on all podcast platforms: SpotifyYouTubePatreonApple Podcasts
and iHeartRadio.

May 6, 2021
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TBT: Fessenden throwing shade

TBT: 2006, Fessenden rocking a new look on the set of THE LAST WINTER.

May 4, 2021
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Cutting Room #189: Cantinflas revived with Deep Fake technology

May 1, 2021
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NY Times: JAKOB’S WIFE one of “Five movies to Stream Now”

Rent or buy it on Amazon Prime, Google Play, Vudu.

When a mysterious figure attacks Anne (Barbara Crampton), the wife of a conservative small-town pastor (Larry Fessenden), it does more than turn her into a bloodsucking monster. The bite from the Master, as the Nosferatu-looking vampire is known, also awakens in Anne a thirst for the self-determination and sexual confidence she’s kept under wraps her entire marriage. Reinvented as a vamp (sorry), Anne is forced to question what it means to be a wife, a woman and a human.

Travis Stevens’s film layers feminism on top of comedy on top of vampire myth and gross-out splatter. It mostly clicks, and the reason is Crampton. With a decades-long career in out-there films including “Re-Animator,” she’s as close to acting royalty as horror gets. Here she is fearless as a woman discovering her powers within. (Stevens told the horror movie magazine Rue Morgue one of his goals was to give Crampton “her version” of Gena Rowlands’s harrowing performance in the John Cassavetes film “A Woman Under the Influence.”) Crampton’s chemistry with Fessenden, another horror vet, is the film’s activating element.

Read article in The New York Times

April 29, 2021
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TBT: Fessenden & the Hot Rod of the undead

TBT 2018, Fessenden chilling on the set of THE DEAD DON’T DIE.
Director Jim Jarmusch pays tribute to Night Of The Living Dead by featuring
the exact make and model of the car from the George Romero classic.

April 28, 2021
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Cutting Room #188: Clifton Collins Jr. remembers Philip Seymour Hoffman

April 27, 2021
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Fessenden talks JAKOB’S WIFE, horror films and GEP on The Movies That Made Me podcast

 
Fessenden chats with Joe Dante & Josh Olsen about some of his favorite movies on 
THE MOVIES THAT MADE ME Podcast, presented by Trailer From Hell. 
Listen on the Episode Page HERE
April 23, 2021
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NEW in the CINEZONE: SEE SAW by Ben Duff

SEE SAW: writer/director Ben Duff. (2014, 9 mins)
Cinematography by Ben Duff.
Featuring Annabeth Faucher and Bryan Papciak.
G&E by Abbey Killheffer.

watch the teaser below
and join us in the CineZone to see the film

Director’s Statement:

 
This was my final project in my junior year video class in college. People always say that scent is the sense that is strongest tied to memory, but I think that sound is up there as well. I thought it might be interesting to compare the idea of a lost memory to the idea of a song being stuck in your head… a song you can’t quite place. I thought that might be similar to the idea of witnessing something horrible – not being able to remember but also not being able to forget. The idea was that the song would build as the memory progressed, until the memory became fully formed. It was also kind of an exploration of the idea called a “memory palace” – in which recollection is envisioned as exploring a physical space. 
Watch SEE SAW in the CineZone
April 23, 2021
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Jakob’s Wife Cast | Director Interviewed on That Hashtag Show