Faculty of Fine Arts of the University of Lisbon
March 8, Wednesday, 5pm, Grand Auditorium

Barely more than a teenager, Jack Fessenden already has two feature films written, directed and premiered on his resume (in which he also dressed as a composer, editor and producer). The biological stamp — which he assumes with pride — of being the son of Larry Fessenden (one of New York’s gurus of independent horror films) would be of no use without a strong personal contribution.

Chosen as one of the “11 indie filmmakers aged 30 or under that you need to know” (Indiewire, 2017), Jack Fessenden regularly attended his father’s studios during his childhood and adolescence and his curiosity allowed him to learn practical skills. various stages of film production. He made several short films before making his debut, aged 17, in the long format with Stray Bullets, about which Chris O’Falt, in the same Indiewire, said that the most impressive thing was not only the security and economy with which the young filmmaker it dealt with the choreography of violence, but how it found subtlety and depth in the film’s quieter moments. More ambitious, Foxhole, his next work, is part of the long tradition of antiwar humanist film, managing to achieve “an almost abstract beauty” (Josh Siegel, MoMA).

“This kid is going to go far,” said Meira Blaustein, co-founder of the Woodstock Film Festival. It’s already on its way, we would say.

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