This Valentine’s Day weekend, visit the Anthology Film Archives in NYC for the Willem Dafoe retrospective.
Spanning from Dafoe’s early works like THE LOVELESS, LIGHT SLEEPER and STREETS OF FIRE;
to his contemporary titles from Abel Ferrara & Lars Von Trier,
and the David Lynch romance classic, WILD AT HEART.
Domingo talks going to High School with Will Smith and DJ Jazzy Jeff,
the rejection that nearly made him quit show business; and the experience of making
“Sing Sing” with former members of a prison theatre troupe.
From Academy Class 1996 interview: “What drew me to acting? It is language, speech.
It’s the thing I’ve denied myself all those years. I now have an abnormal appreciation for it.
The idea that you could do a Shakespeare play or any well-written play and say things you
never imagine saying or never imagine thinking in your
own life you can say easily. That’s what it’s all about.”
When we first made Woman Under The Influence, I said “John, gosh, nobody who is 18 or 20 is going to know what we are talking about.” And then I found that young people would stop us on the street and say “that’s my mom and dad, that’s what I grew up in.” Then other people in their 30’s would say “that’s the story of my life. That’s exactly what I went through.” And that was the most satisfying thing as a performer I had ever done. -Gena Rowlands
Although casting a “big name” like Brando may have generated publicity for Little Big Man,
his refusal allowed Chief Dan George to receive his breakout role in the film.
His performance earned an Academy Award nomination for Best Supporting Actor,
and was essential to the film’s critical and financial success.
No matter what is said about how a movie gets made, one fact is inescapable:
until the screenwriter does his job, nobody else, like actors, can do theirs.
Until the screenwriter does his job, nobody else has a job. In other words,
he is the asshole who keeps everybody else from going to work.
This July, at BAM in Brooklyn, NY: This series gathers together many of Spacek’s and Duvall’s films from the mid to late 70s, including classics like The Shining, Badlands, Carrie, Brewster McCloud, and more, with a special spotlight on their singular collaboration in Robert Altman’s masterpiece 3 Women. Take stock of the exceptional talents of two of Hollywood’s most distinctive actresses in this outrageously fun collection of genre-spanning classics.
‘Keep putting yourself out where you belong’ says Cheryl Dunye,
the filmmaker who shaped how Black LGBTQ+ stories are told.
The Late-Great Roger Corman talks career, his influence on filmmakers
and bringing Ingmar Bergman’s Cries and Whispers to the Drive-In.
R.I.P. Roger Corman
