Wednesday March 13 at IFC in NYC. 7:30 PM
followed by Q&A featuring Fessenden, Alex Hurt and Special Guests

Thursday March 14 at 7:00 PM
followed by Q&A featuring Fessenden, Alex Hurt and Special Guests

Check IFC WEBSITE for Tickets and Info on additional screenings

Late To The Party Dept: Shitty Rigs’s WRAP DRINKS Podcast chats with GEP pal and long-time collaborator Brian Spears, VFX maestro behind many Glass Eye flix such as STAKE LAND, I SELL THE DEAD, THE INNKEEPERS, THE RANGER, the upcoming BLACKOUT and more!

Watch the Brian Spears GEP Minidoc HERE,
to learn more about all the GEP / Gerner & Spears collaborations.

GEP pal Iris Olympia searches for a familiar connection between art, music, and the soul in a MoMA essay for eyes and ears. Check it!

From the intro:

When Naeem, MoMA’s content producer, asked me to do a MoMA Mixtape, it felt like the stars were aligning. I had been to the Museum once before, for the Glass Eye Pix retrospective featuring my partner’s film Foxhole. Yet my connection with Naeem was much more random—it was on a small street in Brooklyn when he saw me and asked to take my photograph. Two disconnected events bound me to MoMA.

My method for this visit was to find what resonates—if I could do that, the music and the structure of this collection would appear. And so it did.

Take the journey with Iris!

TBT 2005; Fessenden on set of BROKEN FLOWERS, with director Jim Jarmusch.
Fessenden (and Bill Murray) return to a Jarmusch production in 2019,
for the undead flick THE DEAD DON’T DIE.

Late Phases (2014) Revisited – Horror Movie Review

Have you seen the 2014 werewolf movie Late Phases? If you haven’t, it just might be the best horror movie you never saw

BY ANDREW HATFIELD

… Director Adrian Garcia Bogliano enjoyed the script he read from Eric Stolze and had built up a reputation with his segment of The ABCs of Death as well as Here Comes the Devil from 2012. While he has slowed down a bit since this movie’s release, he continues to work in film and TV today. Eric Stolze has far less to his name but also most recently wrote surprise 2020 hit The Stylist. The talent assembled in front of the camera is far more recognizable, well except one who is a name you will know but I literally didn’t recognize him until looking it up. The lead is blind veteran Ambrose Mckinley played to salty perfection by Nick Damici. Damici was first known to me when he showed up in that early 2000s sleazy Meg Ryan and Mark Ruffalo movie In the Cut but has a trilogy of good and underseen horror movies with today’s flick, the American remake of We Are What We Are, and Stake Land. He also wrote Stake Land, We Are What We Are, and several episodes of underrated TV show Hap and Leonard.

We will get into more of the cast later, but the movie opens up Ambrose looking to pick out his headstone as he is moving to a senior living space. The salesperson is played by Larry Fessenden who shows up in nearly every independent horror movie now but that’s also because he helps produce so many of them, including this one. Ambrose’s son Will, played by Ethan Embry, drops him off at his new living arrangement and even though Ambrose is curmudgeonly to put it lightly, he makes friends with his very sweet neighbor. He’s not as kind to the welcoming party but to be fair, he’s not wrong. These characters would bug the heck out of me too. This is Damici’s movie in every sense. His line delivery, the added age makeup as even though he was in his early 50s, the character was a decent amount older, and his mannerisms while playing blind are all incredible.

He finds a claw in his new wall, and we learn what it belongs to much quicker than anticipated. A Howling size bipedal werewolf kills both his new neighbor friend and his guide dog. Kudos to the movie for getting right into it with the monster of the movie and having the guts to kill that sweet dog. Ambrose is unable to get his gun in time to save the dog or kill the monster, but he is motivated … 

Read full rave at JoBlo.com

INVADER is the newest flick from director Mickey Keating (PSYCHOPATHS, DARLING).
Produced by Joe Swanberg (BLACKOUT) for Forager Films (DEPRAVED).

A young woman arrives in the Chicago suburbs and begins to suspect that something terrible has happened to her missing cousin, but soon realizes that her greatest fears don’t even begin to scratch the surface.

INVADER hits Alamo Drafthouse theaters in MARCH!

Trailer and Poster HERE. Check it!