Just announced:
Night Moves, the latest film from Glass Eye Pal Kelly Reichardt (River of Grass, Old Joy, Wendy and Lucy, Meek’s Cutoff), written by Kelly Reichardt and Jonathan Raymond, will play at the 2013 Toronto Film Festival. The fllm stars Dakota Fanning, Jesse Eisenberg, Peter Sarsgaard, Alia Shawkat and James LeGros.
Fessenden served as executive producer, along with Reichardt regulars Todd Haynes (executive producer), Neil Kopp (producer) Anish Savjani (producer) as well as several new collaborators. See full credits at imdb.
Glass Eye Pix regular Jeff Grace scored the Continue Reading »
Kelly Reichardt’s NIGHT MOVES to have North American Premiere at Toronto Film Fest
“Johnny’s Dream”: Clip From Larry Fessenden’s BENEATH

Get a look at Larry Fessenden’s BENEATH at Latino-Review.com
BENEATH is now in theaters, On Demand, on iTunes, on Google Play, and on Continue Reading »
Gearing Up for the BENEATH Premiere
Printing posters has never been so Continue Reading »
Twitch on BENEATH: “Walks the Line Between Straight-Faced and Winking”
BENEATH Review From Twitch:
Larry Fessenden takes the old fashioned horror-as-allegory approach to his work. Recently (though Beneath is his first feature in nearly seven years) this has meant adapting the environmental horror aesthetic of 70s films like The Boogens to the present decade by using an inspired minimalism. His technique in Beneath owes more to ʻsuspenseʼ films like The Birds than it does to the explicit gore of more famous 80s slashers and the last decade’s torture horror.
Beneath, however, could Continue Reading »
Diabolique Interview: Larry Fessenden on JUG FACE, BENEATH

From Ken W. Hanley at DiaboliqueMagazine.com:
For two decades now, independent genre filmmaker Larry Fessenden has navigated the world of horror, fighting against other low-budget horror outlets to emerge as a gateway for some of the most promising talents in the horror community today. Without Fessenden at the wheel of his ship, subversive horror might have drifted too far into the realm of satire or exploitation. And while Fessenden works his magic with his production company, Glass Eye Pix, the man Continue Reading »
Fangoria on BENEATH: “A Kind of Horrific Morality Play”

BENEATH Review by Fangoria’s Michael Gingold:
BENEATH is a movie that plays best if you don’t take it too literally. That may seem an odd thing to say about a flick in which a killer fish chows down on hapless teenagers, but then most nature-amok low-budgeters aren’t directed by Larry Fessenden, who never metaphor he didn’t like.
Having previously explored various permutations of the supernatural in the thoughtful chillers HABIT, WENDIGO and THE LAST WINTER, Fessenden takes a dip in made-for-cable monster-movie Continue Reading »
Village Voice on BENEATH: “spiked with rainy-day-matinee movie love “
BENEATH movie review from VillageVoice.com:
Over the last few decades, Larry Fessenden has become something like a one-man rescue team for modern American psychotronica. Think of a fresh horror-genre indie of note from the last decade and a half, and chances are, Fessenden’s name is on it somewhere. But for all his ubiquity, Beneath is only Fessenden’s fifth mature feature as a director, and it is every inch the work of a dedicated geek, a proudly lowbrow, low-budget monster movie that Continue Reading »
BENEATH Stars Featured in Washington Post’s Eye on Entertainment Gallery

Bonnie Dennison and Chris Conroy featured in the Washington Post’s Eye on Entertainment gallery alongside Johnny Depp, Hugh Jackman, and Benedict Cumberbatch.
Check out the full Continue Reading »
Premiere Party at the IFC in NYC launches Theatrical and VOD run of Fessenden’s BENEATH

Producer Peter Phok, Fessenden, Mark Margolis, Chris Conroy, Bonnie Dennison, Danniel Zavatto, Jonny Orsini and Griffin Newman together again on dry land at the Premier Party on Monday night at the IFC in NYC July 15.
Check out more photos at the Glass Eye Pix Continue Reading »


























































































