“How does myth shape our understanding of the world?
Such is the question hiding in the heart of Larry Fessenden’s Wendigo,
a film that screened in gorgeously grainy 35mm on Thursday
as part of the Boston Underground Film Festival. An artful examination of mythical storytelling, 
Wendigo succeeded both as a horror film and a character-driven indie drama
about a young boy dealing with trauma.

 … All in all, Wendigo is a great film, one that displays the power of expressionist horror
to tackle grand themes and do so with emotional sensitivity and masterfully-executed atmosphere.”

—Valleriy Kolyaych, PopMattaers

read whole review

Last night, DARLING opened in NYC’s Village East Cinema, followed by a cast Q&A moderated by Entertainment Weekly’s Clark Collis! Click right here to check out a gallery of pics from the evening.

STRAY BULLETS, debut feature by Jack Fessenden completes sound mix on First April 2016.

Sound designer John Moros, dialogue editor Abby Savage, writer/director Jack Fessenden,
mixer Tom Efinger, and producer Larry Fessenden pose at long-time Glass Eye Pix post-house Digit Audio.

DARLING will hit theaters tonight in NYC and Toronto! Darling will expand to 16 other cities/VOD/online platforms starting April 8th. Join us after the Village East screening in NYC for a Q&A with Lauren Ashley Carter, Brian Morvant and Larry Fessenden. Visit DarlingMovie.com for the full theater list and tickets.

Nightmarish Conjurings sits with Fessenden and talk about modern horror, the Wendigo and which monster Larry best identifies with himself.

Click HERE for the Nightmarish Conjurings article.

Walking toward the Harlem townhouse serving as the key location of DARLING, your faithful Fango correspondent spots a couple of cops hanging around the front steps. It seems odd that such a small independent shoot would need this kind of security…

Click HERE for the Fangoria article.

The New York Times praises Darling’s “impressive performances” and “gorgeous, haunting black-and-white compositions,” calling the film “effectively unsettling”

Click HERE for the New York Times article. 

Glass Eye Pix pitches I Sell The Dead sequel Grimes & Blake At Your Service at Frontières.

Read the Frontières article HERE.