The STEAMCLAM / GLASS EYE PIX doc wins honorable mention
in the category of Documentary Feature Grand Jury Prize.

Deadline has all the winners

Fessenden wraps the Sound Mix for DEPRAVED
with long-time GEP collaborator Tom Efinger at Red Hook Post
one year since principal photography commenced on Feb 2, 2018.

2017, Tye Sheridan and Fessenden on set of THE MOUNTAIN.
Looking forward to its release further this year.

So, what does “Punk Rock Attitude” mean, anyway?

There are as many answers to this question as there are punk rockers.

Although the connection between heavy metal and horror is well documented, the connection between horror and punk rock isn’t discussed as much.

Yet, movies like CLASS OF 1984, and LIQUID SKY, and RETURN OF THE LIVING DEAD, and even RE-ANIMATOR exude a punk rock attitude with a nihilistic brand of humor and irreverence.

And now, there’s a new punk rock kid in town! THE RANGER (2018) is an homage to slasher films and punk rock movies from the 1980s, and director/co-writer Jenn Wexler joins me to talk about horror, music, fake blood recipes, and becoming a surprise hit at SXSW!

I hope you enjoy the show!

Movies Covered:
The Ranger (2018)
Beneath (2013)
Darling (2015)
Like Me (2017)
The Transfiguration (2017)
Habit (1995)

Follow The Ranger on Twitter
Follow Jenn Wexler on Twitter
Follow Glass Eye Pix on Twitter 

from The Hollywood Reporter:

Sundance: Kino Lorber Takes Jeff Goldblum Drama ‘The Mountain’

The film, also starring Tye Sheridan and directed by Rick Alverson, screened in the festival’s Spotlight section.

Kino Lorber has acquired North American rights to Rick Alverson’s The Mountain, starring Tye Sheridan, Denis Lavant, Udo Kier, Hannah Gross and Jeff Goldblum.

Also Featuring Fessenden as Meals. Glass Eye Pix wishes Alverson good Luck. Fessenden served as producer on previous Alverson films THE COMEDY (producer) and ENTERTAINMENT (executive producer)

Glass Eye Pix wants to join you and your partner in the bedroom
with this saucy countdown calendar.

Spice up your love life with a fortnight of fun!
Each window reveals a daily dose of delights.

Rated X for X-tremely X-citing 

BUY NOW!

From UNSEEN FILMS:

I don’t have a great deal to say about MARKIE IN MILWAUKEE other than see it. This is a portrait of a giant of a man who transitioned into being a woman and decided to transition back because of his faith and reaction of his family. It is a deeply moving portrait of a person trying to find themselves in their own eyes and the eyes of God. I was moved.

The reason I don’t have a lot to say is because I don’t want to talk about Markie, rather I just want to go up to him and give him a hug and say I’ve got your back. That’s a weird reaction to have to a film, but it’s a testament to Matt Kliegman’s film which does more than just show us an interesting character, but instead makes us his/her friend.

While Markie is going to get all the attention, we need to take some time out and note how good a job Kliegman did in putting the film together. After seeing the film I genuinely feel like I’ve been hanging out with Markie for years and not an hour and a half. Kliegman‘s ability to do that is rare because most filmmaker don’t often manage to have the walls between a subject and the audience be so utterly obliterated.

Yes, this is a film that is more than just a portrait of person trying to find themselves, this is a thoughtful and thoughtful examination of what the self is. What part does belief and religion play in all of that? Kliegman gives us much to chew on and a couple of weeks after seeing the film for the first time I am still pondering it. The fact that I am still pondering it is another reason that I don’t have a lot to say right now. The fact that this is a film that requires interaction with it is what makes it so great. We can’t simply say it was good and move on, but we much wrestle with it. This film is a masterpiece. It is also one of the best films at Slamdance and highly recommended.

Read Full Review HERE

In celebration of our screening of MARKIE IN MILWAUKEE at Slamdance,
we draw your attention to our history of documentary films with American Jesus.

Available on iTunes.

7. Chewin’ For the Likes (Like Me)

Disclaimer: I don’t do well with vomit. Enter Robert Mockler’s Like Me, a warning of social media overconsumption in our digital age. How better to represent too much of something that can rot away your insides, cause internal discomfort, and project – literally – an adverse reaction? Stuffing your face with comfort foods until they come spewing out.

At first, Mockler’s artistic eye focuses close-up on Addison Timlin’s mouth as her hopeful insta-famous experimental photographer mashes gummies or pizza or other unhealthy treats between her teeth. Neon-died fructose sugars chomped and gnawed by pearly whites. Then Larry Fessenden introduces himself into the fold – a model victim of sorts at Timlin’s mercy. He’s the one stuffed full of cheese puffs, milk, and junk snacks until the point of nausea – where Timlin’s begins to press against his tummy. You can assume where this goes as a gross-out metaphor full of bile.

See Full List HERE