GLASS EYE PIX Sizzle Reel Let’s Get Physical Collectible WENDIGO Figures from Glass Eye Toyz and Monsterpants Studios Oh, The Humanity! The Films of Larry Fessenden and Glass Eye Pix at MoMA The Larry Fessenden Collection BLACKOUT DEPRAVED BENEATH THE LAST WINTER WENDIGO HABIT No Telling / The Frankenstein Complex FEVER ABCs of Death 2: N is for NEXUS Skin And Bones Until Dawn PRETTY UGLY by Ilya Chaiken BLISS by Joe Maggio CRUMB CATCHER by Chris Skotchdopole FOXHOLE Markie In Milwaukee The Ranger LIKE ME PSYCHOPATHS MOST BEAUTIFUL ISLAND Stake Land II STRAY BULLETS Darling LATE PHASES How Jesus Took America Hostage — “American Jesus” the Movie New Doc BIRTH OF THE LIVING DEAD Explores the Impact of the Ground-Breaking Horror Film NIGHT OF THE LIVING DEAD THE COMEDY THE INNKEEPERS HYPOTHERMIA STAKE LAND BITTER FEAST THE HOUSE OF THE DEVIL I CAN SEE YOU WENDY & LUCY Liberty Kid I SELL THE DEAD Tales From Beyond The Pale Glass Eye Pix Comix SUDDEN STORM: A Wendigo Reader, paperbound book curated by Larry Fessenden Satan Hates You Trigger Man Automatons THE ROOST Impact Addict Videos
August 31, 2020
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Rolling Stone: Birdthrower Finds Peace Among Nature in ‘PRAY’ Video

Glass Eye Pal Robert Leaver (co-author THE LAST WINTER, performance art CRAWL, HOLE EARTH and star of impromptu Music Videos Let Me Drive, Dig A Hole, Crawling Home, Days of Never Before, etc. featured in Rolling Stone Magazine. On News Stands Now!

Birdthrower — a.k.a. Robert O. Leaver — has shared a tranquil video for “Pray.” The track is off his self-titled LP, released last year via Ben Harper’s new label, Mad Bunny.

Directed by Larry Fessenden, the video features sequences of the night sky as stars illuminate trees and move in a hypnotic motion. “I’ve been thinking about the faith you have in me,” Leaver sings. “And all the faith we have in what we cannot see.”

“This all came together at the height of the pandemic in New York, and the spirit of this song felt like something I really wanted to share,” Leaver said of the video in a statement. “The images in the video come from my neighbor in the Catskills, Garth Battista, who has recently been taking still shots and time-lapse films of the sky, stars and trees. Mostly at night. Beautiful images that immediately speak for themselves. His images reveal something both intimate and vast. Something we are all living with. We are in a precarious place. All we have is this fleeting and miraculous point of view.”

“The song ‘Pray’ is about finding my way to peace,” he added. “I am not part of a church or an organized religion. I think over time I’ve created my own forms of prayer and my own idea of church and it all goes back to nature. I was thinking about this and trying to write a song and I asked myself, ‘How do you pray?’ I wrote down my answer and looked for some chords. I think we all pray, whether we realize it or not. Being quiet in nature, mostly alone — that’s how I pray. I pray for faith. I pray for mercy and courage. Sometimes in a state of prayer, I feel free of any sense of self and, for a few moments, I am just a nameless witness sitting up in a tree. But a tree isn’t required.”

Leaver is the first artist to be signed to Harper’s label, which he launched last April. Birdthrower was released last year; “Pray” follows the videos for “Dreaming” and “Let Me Drive.”

August 27, 2020
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TBT: Trejo and Fessenden

2012; Fessenden and Danny Trejo reunite on the set of ‘BRO,
12 years after their first encounter on Steve Buscemi’s Animal Factory. 

August 25, 2020
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Cutting Room #164: Cinema, Politics and War with Oliver Stone

August 25, 2020
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A Fantasia Exclusive: The New York State Of Horror, A Presentation by Mike Gingold

For decades, the provinces of screen horror were European castles and villages, Southwest/California towns and deserts, and Hollywood sets—until 1968’s ROSEMARY’S BABY, when terror moved into New York City and never left. This presentation will chronicle the history of Manhattan and the surrounding boroughs in genre cinema, addressing many specific titles—from expensive studio fare to down-and-dirty independents—lensed on and under its streets, classic and recurring locations, and how the many sides of the city were explored and exploited by filmmakers. Resident auteurs such as Larry Fessenden, William Lustig, Abel Ferrara, Larry Cohen and Frank Henenlotter will be addressed, as will the ways in which New York City-set scare flicks reflected the changes in the city itself over the years.

Join author/filmmaker Michael Gingold (AD NAUSEAM) to take a bloody bite out of the Big Apple! The free event is on August 29, 3PM EDT.

REGISTER HERE

August 24, 2020
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25YearsLater: “Southbound” one of the best Horror Anthologies

by Collin Henderson

Anthologies are notoriously difficult to get completely right, and that’s because in almost any form, be it books, movies, or even video games, you have multiple voices speaking at once, which can lead to severe whiplash. It’s why Trick R Treatis now a beloved Halloween classic; not only does every story absolutely deliver, but it has a sense of cohesiveness since only Michael Doughtery wrote and directed for it. It can be tough to decide what to watch when you’re presented with an anthology. It almost feels like taking some grand risk. Fear not, dear reader. The following are horror anthologies that I’ve found to be worth anyone’s time.

SOUTHBOUND

This was one I was skeptical about going into initially—I’ve been burned before on movies with lots of hype behind them. And granted, the amount of hype behind Southbound is relative to its indie roots, but still, the principle applies. Anyways, it kind of floored me the first time I saw it. Like others on this list, this movie features multiple directors and writers, but it has a sense of place and cohesiveness that rivals the best horror anthologies out there. In fact, I would argue the world and mood it creates is stronger than any individual story on offer.

Also, this movie has Larry Fessenden as a late-night radio DJ, and he steals the scene every time he shows up despite the fact that he doesn’t have a physical presence at all in the movie. That’s worth something.

Read full list at 25yearslater

August 20, 2020
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TBT: On set of The Innkeepers

2010, Ti West and Pat Healy check in at The Yankee Pedlar.

August 18, 2020
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Cutting Room #163: Francis Ford Coppola reflects on his filmography

August 18, 2020
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ScreenRant: The 10 Best Vampire Movies From The ’90s: HABIT #3 (Rotten Tomatoes)

The 10 Best Vampire Movies From The ’90s (According To Rotten Tomatoes)

By Shawn Lealos

The ’90s saw a lot of vampire movies, but these ten are the best according to Rotten Tomatoes.

One of the oldest forms of horror cinema is the vampire genre. The first significant vampire movie arrived in 1922 with Nosferatu, based on the 1897 horror novel Dracula. The first of the Universal Horror Monsters then came in 1931 with Dracula, which also received a Spanish-language version of the same film. Since that time, vampires have been a movie staple.

It looked like, in the ’80s, vampire movies were making a comeback. In 1987, The Lost Boysand Near Dark started the revival, and the ’90s saw several different types of vampire stories, from comedies to gothic horror tales, to a straight-up superhero movie. Here is a look at the 10 best vampire movies of the ’90s, based on Rotten Tomatoes scores.

3/10 Habit (1997) – 72%

Director Larry Fessenden is known for a long career making and starring in all kinds of low-budget indie horror movies, but he enjoyed his breakout success with his small vampire film Habit.

The movie is about a self-destructive young man in New York who meets a beautiful woman and ends up in a sexual relationship with her, only to believe over time that he is turning into a vampire. The film won the Producers Award at the Independent Spirit Awards and has a 72 percent fresh rating on Rotten Tomatoes.

Read List at Screenrant

August 13, 2020
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TBT: Hellbenders

TBT: 2012, Fessenden, Clancy Brown and Clifton Collins Jr.
on set of GEP pal J.T. Petty’s HELLBENDERS.

August 11, 2020
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Cutting Room #162: ‘Stanley Kubrick,’ a Brisk New Biography of a Major Talent