Unspooling at the Brooklyn SciFi Film Festival is Robert Mockler’s visually arresting debut feature LIKE ME. 
Followed by an exclusive interview with Larry Fessenden, producers Jenn Wexler and Jessalyn Abbott
and director of photography James Siewert. 

Screening will be available on demand after 6:00 PM ET (view until 2 am),
 TODAY – 9.18.20! 

Go to brooklynscififilmfest.com for the event

For more info, visit Cinematik

September 11, 2020… we invite you to watch a Glass Eye favorite, LIBERTY KID.
Directed by Ilya Chaiken. Starring Al Thompson and Kareem Savinon.
Produced by GEP pals Mike Ryan, Roger Kass and Brent Kunkle.

“Liberty Kid elevates that woeful genre, the 9/11 movie,
by keeping a ‘Wire’-worthy ear to the street talk of south Williamsburg
and maintaining a shrewd balance of the personal and the political…
an uncommonly acute, deftly played drama of the New York working class.”
– THE VILLAGE VOICE

“Chaiken makes us feel for her characters… “Liberty Kid” is a poignant
look at what might be called 9/11′s collateral damage.”
– NEW YORK POST

Now streaming on Tubi

2017, Jeremy Holm cut himself shaving on the set of
Jenn Wexler’s THE RANGER.

In celebration of Glass Eye Pix’s 35th anniversary, the Woodstock Film Festival will present a special tribute at the drive-in, featuring three horror movies from GEP’s extensive back catalogue (BITTER FEAST by Joe Maggio, WENDIGO by Larry Fessenden and STAKE LAND by Jim Mickle), all shot in the Hudson Valley. Fessenden notes, “These thrillers will unspool at a drive-in theater surrounded by the very woods where their stories take place, drenched in country darkness.”

Visit woodstockfilmfestival.org for more info!

On this labor day, Glass Eye Pix salutes
our crew members, the essential workers of film production.

2010, World Premiere of James Felix McKenney’s 
SATAN HATES YOU at Anthology Film Archives.

When you sit down to watch a film, how often do you think about what it took to get the film in front of you? We rarely bother to think about this, but we really should. Typically, most films take years to make it to the screen, and the more limited the resources are, the longer that wait it is. This process forms the basis for Justin McConnell’s autobiographical documentary, Clapboard Jungle: Surviving the Independent Film Industry. Beginning in 2014 and ending in 2019, Clapboard Jungle charts McConnell’s mission to get a feature film off of the ground. Along the way, he falls into every pitfall an indie filmmaker can, and offers a brutally honest look at how tough the film industry is and what it takes to survive.

It’s not just McConnell that takes a turn in front of the camera, as he seeks out various friends and peers from the industry to find out about their own experiences getting movies made. The information gathered within these interviews is vital for anyone thinking of starting a career in the industry, and the whole documentary works wonderfully as a ‘how to’ guide. The scope of the people he sits down with are also impressive. Over the course of the film we get insights from Travis Stevens, Graham Skipper, Barbara Crampton, Guillermo del Toro, Larry Fessenden, and the late Dick Miller and Sid Haig. Larry Fessenden in particular has some lovely (but heartbreaking) things to say about the writing process and those projects that get stuck at script level. 

Read Full Review HERE