
TBT April 2014; Glass Eye alumn Peter Phok, Jenn Wexler, Chris Skotchdopole
and Fessenden in a photo-booth at the Stanley Film Festival.

TBT April 2014; Glass Eye alumn Peter Phok, Jenn Wexler, Chris Skotchdopole
and Fessenden in a photo-booth at the Stanley Film Festival.
How quaint when politics came down to honor vs greed.
I don’t have the bandwidth to edit the next logical sequence of this video
that would feature a billionaire with a chainsaw and a narcissist with a fake tan
maybe to the tune YMCA. But you get the idea.
My heart bleeds for this deranged country…
So instead of worrying, we’re gonna make a monster movie.
In case we aren’t posting much, that’s why!
— Larry
April marks the official halfway point between the last Halloween and the next Halloween, and while horror fans have never needed an excuse to watch more horror movies, “Halfway to Halloween” has become a sort of unofficial holiday for binge-watching scary movies. And Peacock has you covered.
The NBCUniversal streaming service is packed with horror options, from all-out classics to new features to strange stuff you’ve never heard of before. There are tons of films worth checking out, but if you want the scariest of the scariest on the service right now, take a look at these 10 terrifying horror movies.
Two grieving parents move to a secluded New England farmhouse in an attempt to start over, and find spirits unwilling to move on are lurking in the home’s old foundations. That’s the setup for Ted Geoghegan’s We Are Still Here, a blisteringly powerful indie horror gem that remains one of the best releases in the genre over the last decade. Featuring great performances from Barbara Crampton, Larry Fessenden, and others, it’s a haunting story that’ll stay in your brain for hours.

Fessenden chumming it up with Jack Nicholson…
Happy April Fools!
By Tycho Dwelis, Robert Vaux & Arthur Goyaz
Horror movies often find themselves judged by how well they can maintain suspense, deliver jump scares and make the audience’s skin crawl. While some classics like Psycho and The Exorcist achieve this and become box office hits, many horror films that are equally flawless from start to finish often slip under the radar. These underrated gems offer everything a horror fan could want — strong performances, creepy and well-crafted lore, and terrifying scares — but for one reason or another, they haven’t garnered the widespread recognition they deserve.
These films might have been overshadowed by more mainstream releases, suffered from limited marketing, or were simply ahead of their time. Each one delivers a masterclass in horror filmmaking, maintaining tension and engagement without a single misstep. Some have gone on to become justified cult classics, while others are hidden gems in need of discovery. They run the gamut of horror’s history and make terrific viewing for any genre fan looking for something new.

#20 Wendigo
Explores a Well-Known American Myth:
A Trip to the Countryside Takes a Dark Turn
The Wendigo is an overlooked figure in American folklore when it comes to its presence in horror cinema, even with the current rise of folk horror. Larry Fessenden found a rather delicate and immersive way to deal with the mythical creature while evoking an eerie atmosphere of isolation. His 2001 movie Wendigo follows a family from the city who travels to the countryside to breathe some fresh air, only to be confronted by a malevolent force from the nearby woods.
Wendigo shines in its interpretation of the half-man, half-deer beast as seen through the eyes of a child, George, who begins to have vivid dreams about the Wendigo. Set in freezing Upstate New York, the viewer will feel the gusts of harsh wind and the dreadful power emanating from the woods depicted in the movie as if they were there themselves. It’s a truly atmospheric horror movie that does justice to one of the most fascinating pieces of American folklore.

This Sunday in Brooklyn, see a selection of Short Films from Glass Eye friends
and collaborators at the 11th screening of FILM UNDERGROUND.
Followed by a conversation with actor Karren Karagulian, star of Oscar-favorite ANORA.
Curated by TZVI.
featured works include:
a short film from Nira Burstein starring Lorraine Farris (CRUMB CATCHER)
a short thriller from GEP Intern Alumn Luke LeCount starring Rigo Garay (BLACKOUT, CRUMB CATCHER)
a secret work from GEP pal James Siewert (animator & dp. DEPRAVED, THE RANGER, LIKE ME)
RSVP for location: thefilmundergroundrsvp@gmail.com
“I truly believe that in an era where CGI bland productions seem endemic, revisiting this type of work could show us a direction which is unattainable for corporate greed and AI technologies”

by Ben Pearson
The concept of being trapped with no way out taps into one of humanity’s most primal fears: claustrophobia and the loss of control. Horror filmmakers have long recognized the potent terror of inescapable situations, crafting narratives where the walls—whether physical or metaphorical—slowly close in on characters desperately searching for exits that don’t exist.
These “no escape” scenarios prove particularly effective because they mirror our own deepest anxieties about mortality and helplessness. The trapped protagonists become surrogates for our fears as we vicariously experience their mounting dread while safely watching from theater seats. From underwater cave systems to mysteriously aging beaches, these settings create pressure cookers of anxiety that force characters into psychological breakdowns and desperate survival tactics.
In the 2013 horror film Beneath, a group of high school graduates celebrating at a remote lake become stranded when their rowboat is attacked by a massive, man-eating fish. Trapped in the middle of the lake with limited supplies and no way to call for help, the friends face both the aquatic predator below and their own deteriorating social dynamics as survival instincts override friendship and morality.
Director Larry Fessenden uses the limited setting to explore how quickly civilization breaks down when escape routes disappear. As the day progresses and rescue seems increasingly unlikely, friends begin turning against each other, making calculated decisions about who might be sacrificed to distract the creature. The monster in the water sometimes proves less frightening than the monsters emerging from within the stranded teens themselves.
Happy to be on a pretty awesome list, though they got the credits wrong;
still think they are describing our movie BENEATH…