Interview with Glenn McQuaid

Published on November 2, 2019

Glass Eye Pix 34th Anniversary Mini-Doc: Collaborator from 2005 to the present, writer, director and FX artist Glenn McQuaid is the auteur behind the feature I SELL THE DEAD, and shorts MARTIN, THE TROUBLE WITH DAD and episodes of the CREEPY CHRISTMAS FILM FEST. McQuaid provided graphics and effects for numerous GEP productions including THE ROOST, THE LAST WINTER and BENEATH and created the GEP countdown Logos for a dozen GEP productions. McQuaid is the co-creator with Larry Fessenden of TALES FROM BEYOND THE PALE, an award-winning series of macabre audio dramas, now a podcast. Edit by Chris Skotchdopole.

Interview with Jenn Wexler

Published on November 2, 2018

Glass Eye Pix Mini-Doc: Jenn Wexler has been collaborating with GEP since 2013, serving as director on THE RANGER, and producer on DEPRAVED, LIKE ME, MOST BEAUTIFUL ISLAND, PSYCHOPATHS, DARLING, BENEATH and ABC’S OF DEATH 2 as well as TALES FROM BEYOND THE PALE and other GEP ventures. She speaks about her time working at Fessenden’s independent production company. Director and Editor Adam Barnick.

ANWR Open For Business: reflections on The Last Winter

Published on November 27, 2017

Filmmaker Larry Fessenden discusses his visit to The Arctic National Wildlife Refuge in 2003,his film THE LAST WINTER, and how the mysterious KIK Well is like the Obelisk from Kubrick’s 2001. A Glass Eye Pix MINIDOC for DISCONNEX.COM

Stray Bullets BTS #1

Published on January 10, 2017

Looking Back on HABIT

Published on November 2, 2016

Interview with Brahm Revel

Published on July 8, 2016

Glass Eye Pix 30th Anniversary Mini-Doc: Collaborator from 1999 to the present, artist and writer BRAHM REVEL has provided storyboards, design sketches, comic book adaptations, and animations for numerous projects including WENDIGO, THE ROOST, MANITOU VALLEY, THE LAST WINTER, BENEATH, and I SELL THE DEAD. Revel has also designed posters and advent calendars for GEP and penned episodes of the CREEPY CHRISTMAS FILM FEST and TALES FROM BEYOND THE PALE. Edit by Chris Skotchdopole.

Interview with Brian Spears

Published on February 26, 2016

Glass Eye Pix 30th Anniversary Mini-Doc: Makeup artist Brian Spears has been creating monsters and gore effects for Glass Eye Pix since 2007’s I SELL THE DEAD. With his partner Peter Gerner, Spears has created ghosts, vampires, zombies and even an old man in GEP films BLOOD RED EARTH, BITTER FEAST, STAKE LAND, HYPOTHERMIA, THE INNKEEPERS, BENEATH, LATE PHASES, DARLING and RIDING SHOTGUN. Spears recalls the family atmosphere at Fessenden’s production company over the years. Edit by Chris Skotchdopole

Interview with Peter Phok

Published on February 3, 2016

Glass Eye Pix 30th Anniversary Mini-Doc: Producer Peter Phok, has been producing for GEP since 2005, playing essential roles on THE ROOST, TRIGGER MAN, I CAN SEE YOU, I SELL THE DEAD, BLOOD RED EARTH, THE HOUSE OF THE DEVIL, STAKE LAND, BITTER FEAST, HYPOTHERMIA, THE INNKEEPERS and BENEATH. He speaks about his time working at Fessenden’s Independent production company. Edit by Chris Skotchdolpole

Interview with Graham Reznick

Published on January 15, 2016

Glass Eye Pix 30th Anniversary Mini-Doc: Writer, Director and Sound Designer Graham Reznick discusses his first encounter with Glass Eye Pix and the many projects he has collaborated on, from Ti West’s THE ROOST, to Larry Fessenden’s THE LAST WINTER, to his own films I CAN SEE YOU, THE VIEWER and THE CAREGIVER. He speaks about independent film and the extended Glass Eye family. Edit by Eric Pennycoff.

Interview with Brent Kunkle

Published on January 8, 2016

Glass Eye Pix 30th Anniversary Mini-Doc: Producer and Office Manager from 2007 to 2014, worked on many of the classic Glass Eye films including I SELL THE DEAD, STAKE LAND, BITTER FEAST, THE VIEWER, SANTA CLAWS, AMERICAN JESUS, THE COMEDY, LATE PHASES, He speaks about his time working at Fessenden’s Independent production company. Edit by Chris Skotchdolpole.