TALES FROM BEYOND THE PALE season IV OUT TODAY!!
Friday the 13th: 10 New Episodes of
Glenn McQuaid and Larry Fessenden’s celebrated audio series TALES FROM BEYOND THE PALE now available!
PSYCHOPATHS trailer debuts on Entertainment Weekly
A Glass Eye Pix production of a Mickey Keating film
In Theaters December 1st, VOD January 2nd
HABIT in Yonkers Wednesday 10.4.17 9:30PM at Alamo Drafthouse. Fessenden to attend
Start your Shocktober with a blast from the past:
Fessenden’s HABIT unspools on pristine DCP
at the Alamo Drafthouse in Yonkers, NY on
Wednesday, October 4 at 9:30 PM.

“ONE OF THE 13 BEST HORROR FILMS OF THE 90s!”
—FANGORIA
“ONE OF THE BEST FILMS OF THE YEAR!”
—VILLAGE VOICE, SHOCK CINEMA, MOVIEMAKER
“Amazing! The Wellesian tour de force of the 90’s (***1/2 stars of 4)”
NOMINATED! for 2 1998 Spirit Awards
Best Director, Best Cinematography
WINNER! 1997 Spirit Award
Someone to Watch Award
Glass Eye Pix welcomes you to SHOCKTOBER!

Habit
Tales from Beyond the Pale
Most Beautiful Island
The House of the Devil
The Innkeepers
The Stake Land Collection
Until Dawn
Frankenstein
all in the news Shocktober 2017
stay tuned… if you dare
Most Beautiful Island — exclusive trailer from Entertainment Weekly
Most Beautiful Island stars Ana Asensio as Luciana, a young immigrant woman struggling to make ends meet who is subjected to a series of physical and emotional extremes. Before her day is done, she finds herself a central participant in a cruel game where lives are placed at risk, and psyches are twisted and broken for the perverse entertainment of a privileged few.
“[The film is] an intimate exploration of solitude, identity and discovery,” says Asensio, who also wrote and directed the film, which won the Grand Jury prize at the year’s SXSW Festival. “The story was drawn from my own experiences as a young Spanish immigrant in New York City. We shot the film on super 16mm which was both a dream and an enormous challenge to accomplish due to our tight schedule and limited budget. I chose to shoot the film in an intimate, voyeuristic way, mixing professional actors with non-actors in improvised and fluid scenarios. Being an actor myself, it was crucial for me to make sure the performers received the necessary information about the roles they were playing while giving them freedom to improvise. This freedom helped tremendously in achieving the spontaneity and realism I wanted for the film.”
Read the Entertainment Weekly article HERE…






























































































