GLASS EYE PIX Sizzle Reel Fessenden Monsterverse 4 Films from 1996 to 2026 TRAUMA OR, MONSTERS ALL BLACKOUT DEPRAVED HABIT Oh, The Humanity! The Films of Larry Fessenden and Glass Eye Pix at MoMA The Larry Fessenden Collection Let’s Get Physical BENEATH THE LAST WINTER WENDIGO No Telling / The Frankenstein Complex FEVER ABCs of Death 2: N is for NEXUS Skin And Bones Until Dawn PRETTY UGLY by Ilya Chaiken BLISS by Joe Maggio CRUMB CATCHER by Chris Skotchdopole FOXHOLE Markie In Milwaukee The Ranger LIKE ME PSYCHOPATHS MOST BEAUTIFUL ISLAND Stake Land II STRAY BULLETS Darling LATE PHASES How Jesus Took America Hostage — “American Jesus” the Movie New Doc BIRTH OF THE LIVING DEAD Explores the Impact of the Ground-Breaking Horror Film NIGHT OF THE LIVING DEAD THE COMEDY THE INNKEEPERS HYPOTHERMIA STAKE LAND BITTER FEAST THE HOUSE OF THE DEVIL I CAN SEE YOU WENDY & LUCY Liberty Kid I SELL THE DEAD Tales From Beyond The Pale Glass Eye Pix Comix SUDDEN STORM: A Wendigo Reader, paperbound book curated by Larry Fessenden Collectible WENDIGO Figures from Glass Eye Toyz and Monsterpants Studios Satan Hates You Trigger Man Automatons THE ROOST Impact Addict Videos
June 8, 2018
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HOME IS WHERE THE HORROR IS.

On the occasion of the opening of the new horror flick HERIDITARY, one of GEP’s favorite authors Jason Zimmerman (SHOCK VALUE) writes about a new era of horror in The New York Times.

 From the article:

Moving into territory once the preserve of prestige dramas, horror has never been more bankable and celebrated than it is right now. And while evil clowns and serial killers at sorority houses still haunt young viewers (and make tons of money), we’re in the midst of a golden age of grown-up horror. Hushed and character-driven, this mix of indie fare and blockbusters works ferociously on adult anxieties in an age of dislocation.

…

Part of the reason horror has long targeted young viewers is that it’s harder to scare adults. We have seen too much, including other scary movies. But that experience can be used against us. H.P. Lovecraft famously wrote that the strongest kind of fear was that of the unknown. But the older you get, the less unknown there is. Vampires, werewolves and zombies don’t frighten like they once did. But ghosts still do — when they remind us of what we have lost.

…

This weekend, check out HEREDITARY in theaters and then cozy up with Fessenden’s home horror family drama from 2001, WENDIGO

June 7, 2018
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Bloody Disgusting: I SELL THE DEAD “10 Overlooked Modern Horror Comedies”

I SELL THE DEAD

Harkening back to the gothic horror of Universal Studios horror films of the ‘20s and ‘30s, this period horror-comedy follows a grave robber as he recounts his story of crime from prison to a Father (Ron Perlman) as he awaits his execution.  The grave robber, Arthur (Dominic Monaghan), tells of his partnership with Willie Grimes (Larry Fessenden) as they turn a profit robbing graves and contend with blackmail by Doctor Quint (Angus Scrimm), before unwittingly digging up the undead. Vampires, aliens, ghouls, and rival grave robbers all contribute to Arthur’s current predicament with often humorous results. Glenn McQuaid’s first outing as director isn’t perfect, Arthur’s story drags on its own, but anytime Fessenden is on screen I Sell the Dead really shines.

Read article HERE

June 6, 2018
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Cutting Room #95 – Charlie & Jackie

June 4, 2018
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Jenn Wexler talks music and THE RANGER on “From & Inspired By” podcast

THE RANGER wins Best Soundtrack at the Fantaspoa Film Festival!!

Director Jenn Wexler and Music Supervisor Middagh Goodwin sit with From & Inspired By podcast to discuss THE RANGER.  

From the Podcast: “Director Jenn Wexler’s debut feature, The Ranger, is a fun but brutal movie about a bunch of punks who hole up in a cabin while on the lam, only to be stalked and killed by a psychotic park ranger. It’s been getting a lot of acclaim from everyone I know who’s seen it, so I reached out via Twitter, especially after reading a piece music supervisor Middagh Goodwin wrote for the Modesto View, running down all the great bands he’d lined up for the film.

After watching the movie, I was even more excited to talk with Wexler and Goodwin, and I think it comes through in the interview. We get very goofy, and it’s a damn blast.”

Listen to Interview HERE

June 1, 2018
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This Weekend revisit BITTER FEAST on Amazon Prime

Happy Friday! Spend your weekend with GEP and stream
Joe Maggio’s BITTER FEAST on Amazon Prime.

Feast along with GEP regulars James Le Gros (THE LAST WINTER) Josh Leonard (DEPRAVED),
Owen Campbell (DEPRAVED) 
and witness a cameo by former celebrity chef Mario Batali.

“…a plea for simple, basic humanity… a low-budget, well-paced,
impressively performed and quietly engaging indie horror flick
that’s got two strong leads and a welcome sense of dark gallows humor.”

Stream on Amazon Prime

May 31, 2018
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TBT: Monsterpants meets Fessypix

StudioMidnight.net
StrayBulletsMovie.com

May 31, 2018
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THE RANGER heads to Fantaspoa Film Fest in Brazil!

This weekend THE RANGER heads to Fantaspoa in Brazil!
Catch our South American premiere on Friday night with director Jenn Wexler in person,
followed Saturday morning by a master class in film production!

Also unspooling in Brazil, GEP pal Ted Geoghegan’s MOHAWK. Show starts TONIGHT!

Festival Details HERE

May 30, 2018
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Bigger Show Podcast: THE RANGER “A glorious revisitation to the punk horrors of the 80’s”

Not only is The Ranger a return in form to the 90’s slashers but it’s also a glorious revisitation to the punk horrors of the 80’s and Wexler and company capture the tone and look of the period beautifully (helped made possible by the raddest punk/producer Heather Buckley). The cast all look the part, sporting realistic gear and listening to an insane playlist including bands like Rotten U.K., Fang, The Atom Age, and at least a half-dozen more that will have you headbanging along with the characters on screen. The van they travel in is a rolling love letter to Return of The Living Dead and every frame oozes punk aesthetic. The juxtaposition of punk leather and color against the backdrop of the national park is surreal but mesmerizing and you won’t be able to look away. The parallel between this film and Green Room is sure to be made and The Ranger stands shoulder to shoulder with it as a return to punks on film.

Read full review HERE

May 29, 2018
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Cutting Room #94 – Orson Welles

May 29, 2018
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THE RANGER unspools at Portland Horror Film Festival

June 13-16, 2018 Portland Oregon’s premiere festival of international cinematic terror and dark fantasy.
A 4-day film festival featuring the best independent short and feature horror films from around the world.

Get tix HERE