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This weekend THE RANGER heads to Fantaspoa in Brazil!
Catch our South American premiere on Friday night with director Jenn Wexler in person,
followed Saturday morning by a master class in film production!

Also unspooling in Brazil, GEP pal Ted Geoghegan’s MOHAWK. Show starts TONIGHT!

Festival Details HERE

Not only is The Ranger a return in form to the 90’s slashers but it’s also a glorious revisitation to the punk horrors of the 80’s and Wexler and company capture the tone and look of the period beautifully (helped made possible by the raddest punk/producer Heather Buckley). The cast all look the part, sporting realistic gear and listening to an insane playlist including bands like Rotten U.K., Fang, The Atom Age, and at least a half-dozen more that will have you headbanging along with the characters on screen. The van they travel in is a rolling love letter to Return of The Living Dead and every frame oozes punk aesthetic. The juxtaposition of punk leather and color against the backdrop of the national park is surreal but mesmerizing and you won’t be able to look away. The parallel between this film and Green Room is sure to be made and The Ranger stands shoulder to shoulder with it as a return to punks on film.

Read full review HERE

June 13-16, 2018 Portland Oregon’s premiere festival of international cinematic terror and dark fantasy.
A 4-day film festival featuring the best independent short and feature horror films from around the world.

Get tix HERE

Happy Memorial Day from Glass Eye Pix.
We invite you to revisit Ilya Chaiken’s LIBERTY KID.
An indie gem that portrays the hardships of returning home from war.

“There may have been two or three dozen American films that struggled to make sense of 9/11 and its aftermath, but none of them have done more with less than “Liberty Kid”… It’s a simple story, engagingly told, wonderfully acted and shot with an eye for the beauty of the Big Apple’s unglamorous outer-borough neighborhoods.”
– Salon

available on Amazon

“The Ranger” is a damn fine 1980s throwback slasher that does every facet of the genre just a little better than you might expect. That’s not necessarily enough to earn a recommendation – enough movies are made about folks getting cut up with an axe every year that even with a 95% failure rate, that’s a fair amount of “pretty decent” – but Jenn Wexler hits the sweet spot here, making a movie that’s got something on its mind aside from the genre itself but still manages to be bloody and entertaining before everything else.

Full article HERE