GLASS EYE PIX Sizzle Reel TRAUMA OR, MONSTERS ALL BLACKOUT DEPRAVED HABIT Oh, The Humanity! The Films of Larry Fessenden and Glass Eye Pix at MoMA The Larry Fessenden Collection Let’s Get Physical BENEATH THE LAST WINTER WENDIGO No Telling / The Frankenstein Complex FEVER ABCs of Death 2: N is for NEXUS Skin And Bones Until Dawn PRETTY UGLY by Ilya Chaiken BLISS by Joe Maggio CRUMB CATCHER by Chris Skotchdopole FOXHOLE Markie In Milwaukee The Ranger LIKE ME PSYCHOPATHS MOST BEAUTIFUL ISLAND Stake Land II STRAY BULLETS Darling LATE PHASES How Jesus Took America Hostage — “American Jesus” the Movie New Doc BIRTH OF THE LIVING DEAD Explores the Impact of the Ground-Breaking Horror Film NIGHT OF THE LIVING DEAD THE COMEDY THE INNKEEPERS HYPOTHERMIA STAKE LAND BITTER FEAST THE HOUSE OF THE DEVIL I CAN SEE YOU WENDY & LUCY Liberty Kid I SELL THE DEAD Tales From Beyond The Pale Glass Eye Pix Comix SUDDEN STORM: A Wendigo Reader, paperbound book curated by Larry Fessenden Collectible WENDIGO Figures from Glass Eye Toyz and Monsterpants Studios Satan Hates You Trigger Man Automatons THE ROOST Impact Addict Videos
December 10, 2018
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Beck Underwood talks Creepy Christmas with Horror News Network

 
From Horror News Network: “The 2018 Creepy Christmas Film Festival is now in full-swing with a new film premiering every day until Christmas. Previously created back in 2008, the fest is back with many new and returning filmmakers to give horror fans something to look forward to in the form of an online Advent Calendar. The original 2008 stories were inspired by a diorama that Beck Underwood had built with an imagined view into each window. This time around, the artists were given a grab-bag word to base their story on. Words usually considered sweet, such as candy cane, have now been given a sinister edge in the hands of the filmmakers. We caught up with Underwood to ask her about finding the filmmakers, what inspired the new concepts, and, of course, her feelings about the creepiness of Christmas.

Read Full Article Here

December 7, 2018
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Weekends with GEP: Catch up on The 2018 CREEPY CHRISTMAS FILM FEST!

Today’s Movie: PRESENCE by Joe Maggio (BITTER FEAST).
Starring Larry Fessenden & Laurent Rejto.

Keep up with daily premieres
and binge view films you may have missed
with our interactive advent calendar.
December 7, 2018
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CLARA’S GHOST Now Playing!

Starring Abby Elliott, Bridey Elliott, Chris Elliott, Isidora Goreshter,
Haley Joel Osment, Paula Niedert Elliott
and featuring Fessenden as “Fan Man”.

December 6, 2018
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Vulture: 57 Horror Directors on the Scares That Inspired (and Traumatized) Them

Fessenden and other Glass Eye Alumns featured in Vulture List!
Including Jenn Wexler (THE RANGER), Glenn McQuaid (I SELL THE DEAD)
and Adrián García Bogliano (LATE PHASES).

 

Larry Fessenden, No Telling (1991), Habit (1995), Wendingo (2001), The Last Winter (2006), Beneath (2013), Depraved

December 5, 2018
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CAVITY by Glenn McQuaid featured on Morbidly Beautiful

From Morbidly Beautiful: “On the third day of Christmas, Glass Eye Pix gave to me “Cavity”, a macabre metaphor for self destruction via the most unlikely of gateway drugs. The 2018 Creepy Christmas Film Fest from Beck Underwood and NYC-based production company Glass Eye Pix serves up a sinfully sweet treat for day three of the fest, with the deliciously dark and twisted “Cavity” by Glenn McQuaid.”

For more Holiday madness, go to CREEPYCHRISTMASFEST.COM

December 4, 2018
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Creepy Christmas featured on Slashfilm.com

From Slash Film: This year, Glass Eye Pix and curator Beck Underwood have reanimated their “Creepy Christmas Film Festival” after a ten-year dormancy. The premise is simple. Underwood gathered a collective of ambitious genre filmmakers and asked them to create their own Christmas Horror themed short films. Every day until Christmas Day – we’re talking December 1st to 25th – a new Christmas horror short will premiere online as part of a digital advent calendar withholding cheery chaos (which you can find here). Bookmark it, check back during lunch or each morning or before bedtime, unwrap a new gift.

Read full article HERE

 

December 1, 2018
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Beck Underwood on FILMWAX RADIO

GEP pal Adam Schartoff of the Filwax Radio Podcast chats
with Creepy Christmas curator Beck Underwood

November 30, 2018
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Weekends with GEP: Creepy Christmas

CREEPYCHRISTMASFEST.COM

November 30, 2018
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Creepy Christmas Roundup: Exclusive photos!

New interviews and exclusive photos busting out across the web with one day to go before
The Creepy Christmas Film Fest 2018 launches.

PASTE MAGAZINE: “Ten years ago, the joyful tidings of the holiday season were rent asunder by the arrival of an altogether more macabre December celebration: The Creepy Christmas Film Fest. The brainchild of filmmaker Beck Underwood and actor-director Larry Fessenden’s Glass Eye Pix studio, which has brought us the likes of The House of the Devil and Stake Land, it consisted of a digital advent calendar that once a day offered internet denizens a slew of new, original horror shorts.”

Read full article HERE

RUE MORGUE: “The festive fiends at Glass Eye Pix want you to have a scary Christmas all December long, so they’re launching a daily short-film showcase tomorrow, and they gave us some exclusive photos and words on the festival!”

Read full article HERE

November 30, 2018
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Vulture: MOST BEAUTIFUL ISLAND one of 100 SCARES THAT SHAPED HORROR

New York Magazine’s VULTURE presents a fantastic list of
100 Scares That Shaped Horror
featuring Ana Asensio’s Glass Eye Pix production MOST BEAUTIFUL ISLAND

Most Beautiful Island (2017)

Directed and written by Ana Asensio

At the outset, at least, there’s little about Ana Asensio’s directorial debut — which at first appears to be a poignant social drama about an undocumented immigrant — that suggests it might employ the conventions of horror to provide its epic punch. Based around the story of Luciana (played by Asensio herself, who has a background as an actor on Spanish television), the film tells of her increasing isolation as she struggles to make ends meet in her new life in New York City. Through her journey, the film reveals just how deep the cracks undocumented workers fall into can be, and the depravity of those willing to profit from their precarious position. Luciana’s vulnerability makes her easy to exploit, and she accepts a vague, mysterious job that finds her well out of her already tenuous comfort zone. It’s here that Asensio’s experience as a theatrical director comes to the fore with one of the most harrowing and immaculately executed horror scenes in recent years, in which the wealthy pay to watch desperate, beautiful women risk their lives for money in a series of staged Grand Guignol–esque “performances.” To give too much away would spoil the surprise, but Most Beautiful Island — like Get Out — demonstrates just how effective experimenting with definitions of genre can be. By tackling women’s experiences of immigration and exploitation, Asensio film is another indicator of what compelling, exciting things horror has to tell us in the future. —AHN

Read whole article HERE