GLASS EYE PIX Sizzle Reel Let’s Get Physical Collectible WENDIGO Figures from Glass Eye Toyz and Monsterpants Studios Oh, The Humanity! The Films of Larry Fessenden and Glass Eye Pix at MoMA The Larry Fessenden Collection BLACKOUT DEPRAVED BENEATH THE LAST WINTER WENDIGO HABIT No Telling / The Frankenstein Complex FEVER ABCs of Death 2: N is for NEXUS Skin And Bones Until Dawn PRETTY UGLY by Ilya Chaiken BLISS by Joe Maggio CRUMB CATCHER by Chris Skotchdopole FOXHOLE Markie In Milwaukee The Ranger LIKE ME PSYCHOPATHS MOST BEAUTIFUL ISLAND Stake Land II STRAY BULLETS Darling LATE PHASES How Jesus Took America Hostage — “American Jesus” the Movie New Doc BIRTH OF THE LIVING DEAD Explores the Impact of the Ground-Breaking Horror Film NIGHT OF THE LIVING DEAD THE COMEDY THE INNKEEPERS HYPOTHERMIA STAKE LAND BITTER FEAST THE HOUSE OF THE DEVIL I CAN SEE YOU WENDY & LUCY Liberty Kid I SELL THE DEAD Tales From Beyond The Pale Glass Eye Pix Comix SUDDEN STORM: A Wendigo Reader, paperbound book curated by Larry Fessenden Satan Hates You Trigger Man Automatons THE ROOST Impact Addict Videos
May 29, 2019
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Bloody Disgusting: BENEATH “exposes just how perverse, nasty and mean-spirited us humans can be”

Who Needs Enemies With Friends Like These? 10 Friendships Gone Wrong in Horror

by Howard Gorman

Broadly speaking, horror emanates from two places: There’s the horror of the unknown, the incomprehensible; and then there’s the horror of the familiar and comfortable becoming alien and threatening. For this writer, the latter of the two is especially perturbing as being betrayed by anyone is one thing; but when you’re betrayed by someone you thought was your best friend, the fallout is always going to be mortifying.

When it comes down to it, we’re all social creatures who depend on one another so our ability to assess just how trustworthy people are is essentially a survival mechanism. And if any specific movie genre has that particular knack of seducing us into assessing people’s trustworthiness it’s the horror genre.

With this in mind, what follows is a selection of ten of the most shocking examples of betrayal and backstabbing in cinema’s sordid history guaranteed to hardwire the paranoid android in all of us…

Beneath (2013)

Larry Fessenden’s eco-terror flick is deceptively straightforward and all the better for it. Following firmly in the footsteps of Creepshow 2’s “The Raft” segment, Beneath revolves around a group of keening horny teenagers as they head out on a canoe trip across a lake to celebrate high school graduation only to end up tormented by a menacing flesh-hungry catfish.

Everything kicks off with a number of beats that feel frustratingly familiar but the simplicity of this setup serves as the perfect springboard for some great terminal velocity tension as the so-called friends turn on one another. Running out of options, a desert island balloon debate ensues as the group resort to drastic dog-eat-dog decisions, dredging up all kinds of bad blood in the process.

Many people wrote this one off as just another dime-a-dozen proto-creature feature when it first came out but the narcissism at play exposes just how perverse, nasty and mean-spirited us humans can be when faced with a common threat. Rather than banding together, a survival of the fittest instinct kicks in and it’s not long before the real truth floats up to the surface: it’s not the blood-lusting catfish we should be worried about at all. It’s the motley crew of victims who are the real monster here.

Read full List at Bloody Disgusting

May 28, 2019
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Cutting Room #124: That’s a Wrap on Waste: Going Green On Set

May 24, 2019
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Weekends with GEP: Trigger Man & Beneath!

Before heading out on your Memorial Day weekend camping trip,
give TRIGGER MAN and BENEATH a watch.
Hopefully your trip goes better than theirs.

Ti West’s Trigger Man and Fessenden’s Beneath,
available on Amazon!

May 21, 2019
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Cutting Room #123: Béla Lugosi, From Actor To Activist

May 17, 2019
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Weekends with GEP: Birth of the Living Dead

With THE DEAD DON’T DIE coming to theaters, let’s remind ourselves where it all began,
with George A. Romero’s Night of The Living Dead.

BIRTH OF THE LIVING DEAD a documentary about how Romero gathered an unlikely team
of Pittsburghers — 
policemen, iron workers, teachers, ad-men, housewives and a roller-rink owner —
to shoot, with a revolutionary guerrilla, run-and-gun style, his seminal film.

Streaming on Shudder

May 16, 2019
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TBT: Summer 2018, Fessenden in trouble again

May 15, 2019
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Don’t Blink Dept: Fessenden in new DEAD DON’T DIE trailer

May 14, 2019
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The Hollywood Reporter: Cannes: IFC Midnight Nabs Frankenstein Adaptation ‘Depraved’

Yellow Veil Pictures will launch international sales on the film at the market and screen it for buyers on Sunday.

Two days ahead of the Cannes market opening, IFC Midnight has acquired U.S. rights to Larry Fessenden’s Depraved, a modern Brooklyn-set Frankenstein adaptation.

The film stars David Call (The Sinner), Joshua Leonard (The Blair Witch Project), Alex Breaux (Bushwick), Ana Kayne (Another Earth), Chloë Levine (The Transfiguration), and Addison Timlin (The Town That Dreaded Sundown). Yellow Veil Pictures will launch international sales on the film at the Cannes market and screen it for buyers on Sunday.

Written by Fessenden, Depraved centers on a disillusioned field surgeon suffering from PTSD who makes a man out of body parts and brings him to life in a Brooklyn loft.

IFC Midnight is planning a fall release.

Depraved made its world premiere in March at the IFC Center’s WhatTheFest?! The film will next be seen at the Overlook Film Festival in New Orleans and then make its international debut at the Sydney Film Festival.

Fessenden, who heads the indie horror production house Glass Eye Pix, also produced the film, alongside Jenn Wexler and Chadd Harbold. Joe Swanberg, Edwin Linker and Peter Gilbert served as executive producers for Forager Film Co. Andrew Mer was co-executive producer.

No stranger to genre fans, Fessenden has been a producer and actor on several such films from the past decade that have premiered at SXSW, Tribeca, Fantastic Fest and Sundance. Depraved marks his return to the director’s seat.

“I am truly jazzed to partner up again with IFC; they handle my whole canon of films, and it feels like home,” Fessenden said. “I look forward to getting this very personal monster movie out to the public in time for the Halloween season. Let’s do this.”

The deal for the film was negotiated by Adam Koehler, acquisitions coordinator at IFC Films/Sundance Selects/IFC Midnight, and Hugues Barbier, Justin Timms and Joe Yanick of Yellow Veil Pictures on behalf of the filmmakers.

Read article in the Hollywood Reporter

May 10, 2019
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Weekends with GEP: The House of the Devil

This Mother’s Day weekend, after revisiting mother themed flix such as
Rosemary’s Baby, The Babadook, mother! and Goodnight Mommy,
be sure to add Ti West’s masterwork THE HOUSE OF THE DEVIL to the viewing list!

Now streaming on Shudder!

May 10, 2019
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Birdthrower video featured on Ben Harper page

GEP pal Robert O. Leaver AKA Birdthrower,
posts video by Fessenden.