Until Dawn, written by GEP pal Graham Reznick and Fessenden,
sited in AV Club Best Of The Decade list. 

From AV Club: Until Dawn pushed the “interactive movie” label even further
(complete with horror mainstay Larry Fessenden there to write all the cheesy dialogue).

See Full List HERE

Episode 5: “H.P. Lovecraft’s THE HOUND”
Directed by Stuart Gordon. Written by Dennis Paoli.
Featuring Barbara Crampton, Ezra Godden, Chris McKenna, Glenn McQuaid, Larry Fessenden
Music by Richard Band • Poster by Graham Humphreys

for more tales, box sets and swag, visit
www.talesfrombeyondtheplae.com

Fessenden to attend

In celebration of 34 years in operation, GEP is pleased to present
a brand new MINIDOC in celebration of our family of artisans.

Glass Eye Pix 34th Anniversary Mini-Doc: Collaborator from 2005 to the present, writer, director and FX artist Glenn McQuaid is the auteur behind the feature I SELL THE DEAD, and shorts MARTIN, THE TROUBLE WITH DAD and episodes of the CREEPY CHRISTMAS FILM FEST.  McQuaid provided graphics and effects for numerous GEP productions including THE ROOST, THE LAST WINTER and BENEATH and created the GEP countdown Logos for a dozen GEP productions. McQuaid is the co-creator with Larry Fessenden of TALES FROM BEYOND THE PALE, an award-winning series of macabre audio dramas, now a podcast. Edit by Chris Skotchdopole.

For an especially Spooktacular Halloween Season GEP would like to thank…

Shudder for the Return of the Ghoul Log
Two Boots for the Depraved Pizza Slice
New York Comic Con
And IFC for the Depraved Release
Coming soon: Fessenden Canon on the IFC Streaming Channel

From IndieWire: While ’90s American cinema tends to play up the legacies of auteur superpowers like Tarantino and PTA, Larry Fessenden deserves just as much appreciation. Ever since his 1995 breakout “Habit,” Fessenden has combined a scrappy New York filmmaking aesthetic with genuine frights, and “Depraved” is a welcome return to those roots. A tense, dramatic retelling of “Frankenstein” with modern-day concerns, the movie stars David Call as a surgeon and Iraq war vet roped into performing experiments on a corpse to bring it back to life. When he’s successful, the monster (played by a lanky, corpse-like Alex Breaux) develops a natural curiosity about the world around him, even as he grows cynical about the people teaching him what to do. At once an indictment of technology and the quest to control the natural order, “Depraved” makes the case that Fessenden should really make movies more often, because these troubled times benefit from his spooky voice. 

See Full List HERE

The Great Larry Fessenden [Episode 26]

Larry Fessenden is an American director, producer, writer, actor, and overall force to be reckoned with. A true indie film pioneer in the horror world, Larry’s career highlights include 1995’s gritty vampire drama, Habit, 2001’s Wendigo, and The Last Winter, Starring Ron Perlman.

Larry’s latest movie, Depraved, is a gritty and modern take on Frankenstein with a number of interesting questions posed about the ethics of scientific advancements in medicine.

Take a listen HERE

From Bloody Disgusting: West has reiterated in the past that he creates movies that feel authentic to what he himself would want to see on screen, versus worrying about commercial viability and appealing to mass audiences. The auteur famously wrote, directed, and edited House, collaborating with Glass Eye Pix— helmed by legendary indie filmmaker Larry Fessenden, who helped kick off West’s career by giving him some money to make his first features. With Fessenden’s support, West succeeded in creating a film that never feels like anyone else could have made it, and the film evokes that specialness.

Gems like The House of the Devil are the reason we need to keep cherishing that special pocket of independent, inventive, and made-from-little-money brand of horror films. Keep supporting the A24, Glass Eye Pix, SpectreVision, Yellow Veil Pictures, and countless other indie film studios and distributors of the world that are often bringing us the best that the genre has to offer— because we need independent horror just as much as it needs us.

Read the full article HERE