September 2, 2020
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Fessenden featured in documentary, Clapboard Jungle: Surviving the Independent Film Industry

When you sit down to watch a film, how often do you think about what it took to get the film in front of you? We rarely bother to think about this, but we really should. Typically, most films take years to make it to the screen, and the more limited the resources are, the longer that wait it is. This process forms the basis for Justin McConnell’s autobiographical documentary, Clapboard Jungle: Surviving the Independent Film Industry. Beginning in 2014 and ending in 2019, Clapboard Jungle charts McConnell’s mission to get a feature film off of the ground. Along the way, he falls into every pitfall an indie filmmaker can, and offers a brutally honest look at how tough the film industry is and what it takes to survive.

It’s not just McConnell that takes a turn in front of the camera, as he seeks out various friends and peers from the industry to find out about their own experiences getting movies made. The information gathered within these interviews is vital for anyone thinking of starting a career in the industry, and the whole documentary works wonderfully as a ‘how to’ guide. The scope of the people he sits down with are also impressive. Over the course of the film we get insights from Travis Stevens, Graham Skipper, Barbara Crampton, Guillermo del Toro, Larry Fessenden, and the late Dick Miller and Sid Haig. Larry Fessenden in particular has some lovely (but heartbreaking) things to say about the writing process and those projects that get stuck at script level. 

Read Full Review HERE

September 1, 2020
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Screen Rant: How Shudder Is Single-Handedly Keeping 2020 Horror Movies Alive

From Screen Rant: Its the die-hard horror fans that keep the genre moving forward, mainly by spreading the word about classics, under-appreciated gems, and new releases that may go unnoticed by casual streamer. As for Shudder, the service always has loads of quality horror to enjoy, whether it’s the impressive list of featured collections or the curated playlists from industry figures like like Barbara Crampton, Larry Fessenden, or Alice Lowe (to name a few).

Be sure to stream a handful of Glass Eye flix on Shudder, such as Wendigo, Most Beautiful Island, Like Me, Psychopaths, House of the Devil, Stake Land, The Ranger and more.

Read Full Article

September 1, 2020
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WOODSTOCK FILM FESTIVAL celebrates Glass Eye Pix 35 Year Anniversary this Fall

From Chronogram Magazine:

Back in March, when the cavalcade of coronavirus closures began, Woodstock Film Festival cofounder Meira Blaustein, perhaps like most sane festival organizers this year, considered canceling the beloved event. But not for long. Instead, Blaustein, who cites “a healthy dose of insanity” as part of what made her want to start the 21-years-and-still-running film festival in the first place, didn’t yield to pressure. Taking a cue from the artistic spirit of the fest’s namesake town, she and her—to borrow the festival’s famous tagline—”fiercely independent” team of fellow film lovers got creative. With traditional movie theaters currently closed in New York State, they made astute use of technology and found alternate venues at which to screen some of this year’s hand-picked selection of over 30 full-length movies and nearly 40 short films. And so (insert clapperboard clack! here) the 2020 Woodstock Film Festival will take place from September 30 through October 4, after all.

A special component for 2020 is the festival’s 35th anniversary tribute to celebrated horror producers Glass Eye Pix (Depraved, The Last Winter, Habit) that features three locally filmed genre films: Wendigo (2001), Bitter Feast (2010), and Stake Land (2009). “Glass Eye Pix presents three films from its canon of over 50 movies, each highlighting the director’s unique voice, and each offering a glimpse at the range of stories found in the horror genre,” says head producer and area resident Larry Fessenden. “All shot in the Hudson Valley at different times of year.”

Read FULL article Here

August 31, 2020
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Rolling Stone: Birdthrower Finds Peace Among Nature in ‘PRAY’ Video

Glass Eye Pal Robert Leaver (co-author THE LAST WINTER, performance art CRAWL, HOLE EARTH and star of impromptu Music Videos Let Me Drive, Dig A Hole, Crawling Home, Days of Never Before, etc. featured in Rolling Stone Magazine. On News Stands Now!

Birdthrower — a.k.a. Robert O. Leaver — has shared a tranquil video for “Pray.” The track is off his self-titled LP, released last year via Ben Harper’s new label, Mad Bunny.

Directed by Larry Fessenden, the video features sequences of the night sky as stars illuminate trees and move in a hypnotic motion. “I’ve been thinking about the faith you have in me,” Leaver sings. “And all the faith we have in what we cannot see.”

“This all came together at the height of the pandemic in New York, and the spirit of this song felt like something I really wanted to share,” Leaver said of the video in a statement. “The images in the video come from my neighbor in the Catskills, Garth Battista, who has recently been taking still shots and time-lapse films of the sky, stars and trees. Mostly at night. Beautiful images that immediately speak for themselves. His images reveal something both intimate and vast. Something we are all living with. We are in a precarious place. All we have is this fleeting and miraculous point of view.”

“The song ‘Pray’ is about finding my way to peace,” he added. “I am not part of a church or an organized religion. I think over time I’ve created my own forms of prayer and my own idea of church and it all goes back to nature. I was thinking about this and trying to write a song and I asked myself, ‘How do you pray?’ I wrote down my answer and looked for some chords. I think we all pray, whether we realize it or not. Being quiet in nature, mostly alone — that’s how I pray. I pray for faith. I pray for mercy and courage. Sometimes in a state of prayer, I feel free of any sense of self and, for a few moments, I am just a nameless witness sitting up in a tree. But a tree isn’t required.”

Leaver is the first artist to be signed to Harper’s label, which he launched last April. Birdthrower was released last year; “Pray” follows the videos for “Dreaming” and “Let Me Drive.”

August 25, 2020
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A Fantasia Exclusive: The New York State Of Horror, A Presentation by Mike Gingold

For decades, the provinces of screen horror were European castles and villages, Southwest/California towns and deserts, and Hollywood sets—until 1968’s ROSEMARY’S BABY, when terror moved into New York City and never left. This presentation will chronicle the history of Manhattan and the surrounding boroughs in genre cinema, addressing many specific titles—from expensive studio fare to down-and-dirty independents—lensed on and under its streets, classic and recurring locations, and how the many sides of the city were explored and exploited by filmmakers. Resident auteurs such as Larry Fessenden, William Lustig, Abel Ferrara, Larry Cohen and Frank Henenlotter will be addressed, as will the ways in which New York City-set scare flicks reflected the changes in the city itself over the years.

Join author/filmmaker Michael Gingold (AD NAUSEAM) to take a bloody bite out of the Big Apple! The free event is on August 29, 3PM EDT.

REGISTER HERE

August 24, 2020
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25YearsLater: “Southbound” one of the best Horror Anthologies

by Collin Henderson

Anthologies are notoriously difficult to get completely right, and that’s because in almost any form, be it books, movies, or even video games, you have multiple voices speaking at once, which can lead to severe whiplash. It’s why Trick R Treatis now a beloved Halloween classic; not only does every story absolutely deliver, but it has a sense of cohesiveness since only Michael Doughtery wrote and directed for it. It can be tough to decide what to watch when you’re presented with an anthology. It almost feels like taking some grand risk. Fear not, dear reader. The following are horror anthologies that I’ve found to be worth anyone’s time.

SOUTHBOUND

This was one I was skeptical about going into initially—I’ve been burned before on movies with lots of hype behind them. And granted, the amount of hype behind Southbound is relative to its indie roots, but still, the principle applies. Anyways, it kind of floored me the first time I saw it. Like others on this list, this movie features multiple directors and writers, but it has a sense of place and cohesiveness that rivals the best horror anthologies out there. In fact, I would argue the world and mood it creates is stronger than any individual story on offer.

Also, this movie has Larry Fessenden as a late-night radio DJ, and he steals the scene every time he shows up despite the fact that he doesn’t have a physical presence at all in the movie. That’s worth something.

Read full list at 25yearslater

August 18, 2020
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ScreenRant: The 10 Best Vampire Movies From The ’90s: HABIT #3 (Rotten Tomatoes)

The 10 Best Vampire Movies From The ’90s (According To Rotten Tomatoes)

By Shawn Lealos

The ’90s saw a lot of vampire movies, but these ten are the best according to Rotten Tomatoes.

One of the oldest forms of horror cinema is the vampire genre. The first significant vampire movie arrived in 1922 with Nosferatu, based on the 1897 horror novel Dracula. The first of the Universal Horror Monsters then came in 1931 with Dracula, which also received a Spanish-language version of the same film. Since that time, vampires have been a movie staple.

It looked like, in the ’80s, vampire movies were making a comeback. In 1987, The Lost Boysand Near Dark started the revival, and the ’90s saw several different types of vampire stories, from comedies to gothic horror tales, to a straight-up superhero movie. Here is a look at the 10 best vampire movies of the ’90s, based on Rotten Tomatoes scores.

3/10 Habit (1997) – 72%

Director Larry Fessenden is known for a long career making and starring in all kinds of low-budget indie horror movies, but he enjoyed his breakout success with his small vampire film Habit.

The movie is about a self-destructive young man in New York who meets a beautiful woman and ends up in a sexual relationship with her, only to believe over time that he is turning into a vampire. The film won the Producers Award at the Independent Spirit Awards and has a 72 percent fresh rating on Rotten Tomatoes.

Read List at Screenrant

August 10, 2020
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Unwanted Houseguest music video features GEP pals

GEP pal The Unwanted Houseguest releases a groovy and
spooky video for his track “At My Funeral”.
Featuring Jack Fessenden on the bass
and Rigo Garay spits a verse. 

Be sure to check out all of the Unwanted Houseguest’s
music videos on Youtube

August 7, 2020
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Fessenden featured on Three Tortured Minds podcast

Fessenden talks DEPRAVED with the Three Tortured Souls podcast. 
Available on iTunes and Soundcloud

August 7, 2020
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Graham Reznick drops new track from I CAN SEE YOU

“The Sun Walk” – an unearthed, never released track from
GEP pal Graham Reznick’s 2009 film I CAN SEE YOU.

Take a listen on Bandcamp