Probably the wackiest, and perhaps creepiest musical-design treatment that a mega-piranha has yet gotten, “Beneath” uses teeth-scraping metallic effects and berserk buzzing, so much so that the score’s subject feels like it’s about a swarm of killer bees. There’s much cleverness to be had with a solitary rowboat of fresh young meat, from country-jazz to the real, chilling deal of a solo violin and off-kilter strings that capture the seemingly placid water. Sword’s score floats effectively on Graham Reznick’s “ambiences,” which often sounds like sonar on the prowl. “Beneath” might be a bit avante garde in approach, but there’s certainly enough musical content with water-like harps and mournful voices to hook in adventurous listeners already out to snag the cool outer limits in sound design scores.


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