BUY >> William Friedkin’s SORCERER soundtrack on vinyl
“The music was exactly what I felt would enhance the film,
though the band hadn’t seen a frame of it,
nor had I even finished production.”

“The music was exactly what I felt would enhance the film,
though the band hadn’t seen a frame of it,
nor had I even finished production.”
Let’s celebrate the works of the legendary Akira Kurosawa.
The world of Hitchcock and Kubrick meet.
Styles were so articulate then that it is possible for anyone with a sharp eye
for fashion history to pinpoint the exact year that a film was made,
based solely on the trends featured in them.
“Ridley walked in with this guy. I thought I was looking at a giraffe…
Stood in the doorway, you could see his body,
but his head was above the frame.”
“How do we give meaning to our lives? That question has been lingering over
my work and life. That’s what I’ve been pursuing for a very long time.”
“The image becomes authentically cinematic when not only does it live within time,
but time also lives within it, even within each separate frame.
The image is not a certain meaning, expressed by the director,
but an entire world reflected in a drop of water.”
“There were things I never thought he was going to expose,
not even to his friends, Pedro is a very private person.”
– Antonio Banderas
A series of Polaroid images taken by Kubrick himself,
his longterm assistant Emilio D’Alessandro
and continuity supervisor June Randall.
“Josh would jump on the keyboard, doing all types of panning on the fly. We’re essentially riding this spaceship, that’s sort of how it gets done, you have to be so shameless, unabashed, childlike, studio tomfoolery is the only way to really get to this magical level.”
