Cutting Room
WATCH >> Khalik Allah and the Streets of Harlem at Night.
LISTEN >> This Profile of Charlie Kaufman Has Changed

LISTEN >> This Profile of Charlie Kaufman Has Changed

Kaufman and I quickly settled into a routine of talking on the phone every Wednesday,
usually for an hour and a half or longer at a time. At least once, to be polite,
I offered to give him a break, but Kaufman didn’t seem to want one.
“The more we talk, the more I have a chance of saying
something that’s not idiotic,” he said.

READ >> Truffaut’s Last Interview

READ >> Truffaut’s Last Interview

“I’m very skeptical of storylines. So much so that I turn a script’s narrative
over in my head endlessly, to the point that often, at the last minute,
I want to cancel the filming of it.”

READ >> Todd Haynes’s “Safe” Is Now a Tale of Two Plagues
WATCH >> Ernest Dickerson recounts casting Tupac in “Juice”
WATCH >> David Lynch In Conversation

WATCH >> David Lynch In Conversation

David Lynch shares his insights into his life, his work and his many passions
– painting, film, music and meditation during his visit to Australia for
‘David Lynch: Between Two Worlds’.

READ >> 12 Documentaries You Should Watch About Racism and Police Brutality in America
LISTEN >> The Team Deakins podcast

LISTEN >> The Team Deakins podcast

We have so many ideas for episodes now and are being joined by people in different areas of the craft.
We find ourselves continually coming back to the collaborative nature of the film business
and this makes us want to delve into all the areas of making a film.

WATCH >> Notes on an American film director at work

WATCH >> Notes on an American film director at work

I was asked to make a five to ten minute film about Marty to introduce his retrospective.
As it happened, Marty was shooting THE DEPARTED at that time.
I asked him if I could follow him for a week or two,
and he said yes. So that’s how this film happened.

READ >> Behind The Scenes with Sam Peckinpah

READ >> Behind The Scenes with Sam Peckinpah

“A glimpse into the mind – and heart – of wild western elegist Sam Peckinpah
during the making of his still underestimated 1974 quasi-self-portait,
Bring Me The Head Of Alfredo Garcia.