WATCH >> Michael Caine Teaches Acting In Film
“You just hold the eyes of the person and you listen. And listening is really what acting is all about…
for movies. It’s not like that in theatre. It’s an entirely different situation.”

“You just hold the eyes of the person and you listen. And listening is really what acting is all about…
for movies. It’s not like that in theatre. It’s an entirely different situation.”
Deep Fake technology revived one of the most important figures of the Golden Age of Mexican cinema,
Mario “Cantinflas” Moreno, for a supermarket commercial.
“He was very dedicated, and incredibly hard on himself,
and worked tremendously hard.”
Bong’s acknowledgment of Brocka’s influence invites us to consider how two extremely skilled auteurs
attack class issues, and a good place to begin would be to hold side by side the
Oscar-sweeping Parasite (2019) and Brocka’s magnum opus
Manila in the Claws of Light (1975).
“It was really hot, it was the end of summer, there was a lot of flies around and
I remember they were really attracted to Ethan’s desk.”
A dance mashup from the Golden Age.
A behind-the-scenes look at Derek Cianfrance shooting B-Roll for
The Place Beyond The Pines.
Christopher Walken cannot stop dancing.
“We tried to legitimize it a lot by prettying it up, using veteran actors,
handling our camera a certain way and we knew we had to do damage control from the start because
people will look at it as just another hood movie, so we had to take very precise care of it.”
“My favorite filmmaker is Frank Capra. He talked about the redemption of the human spirit
– not the superhero, but the common man.”
