October 8, 2020
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Reznick on the Mind: PT2


Longtime GEP pal Graham Reznick discusses his first encounter with Glass Eye Pix

and the many projects he has collaborated on, from Ti West’s THE ROOST,
to Larry Fessenden’s THE LAST WINTER, to his own films I CAN SEE YOU,
THE VIEWER and THE CAREGIVER. He speaks about independent film
and the extended Glass Eye family.
Check out Reznick’s discography on Bandcamp
October 8, 2020
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Graham Reznick discography on Bandcamp!

The newest digital album from GEP pal Graham Reznick titled “UNSUMMONED” is now available on Bandcamp. Three ambient soundscape/drone tracks used in THE HOUSE OF THE DEVIL and elsewhere.

Take a listen to Reznick’s discography on his Bandcamp page. Featuring unreleased rarities from TALES FROM BEYOND THE PALE, CREEPY CHRISTMAS, DEADWAX, Reznick’s Glass Eye classic I CAN SEE YOU and more.

Graham Reznick on BANDCAMP

October 6, 2020
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It’s not too late to order your halloween Advent calendar…

well, it is a little late actually, but what the hell!

October 5, 2020
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GEP salutes Comic Con


terror at the GEP booth, comic con 2018

Glass Eye Pix salutes Comic Con NYC
where we usually launch Shocktober
and hang with friends and fans.

We missed you all this year folks!

October 5, 2020
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Woodstock Film Fest wraps

Fessenden hosts BITTER FEAST intro with director Joe Maggio and star Joshua Leonard
on Friday night at the Greenville Drive-in; STAKE LAND unspools on Saturday night.
WENDIGO opened the fest with an on-line screening Wednesday night.
Thanks to the fest for tributing GEP/35!

October 2, 2020
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Glass Eye Pix at the Drive-In this Weekend

BITTER FEAST and STAKE LAND unspool at the Woodstock Film Festival
as part of the Glass Eye Pix 35 year anniversary Tribute.

FRIDAY
Director Joe Maggio talks with Joshua Leonard
about BITTER FEAST before the film.
SATURDAY
Producers Brent Kunkle and Fessenden discuss making
Jim Mickle’s epic STAKE LAND before the film.
Get your tix HERE. Browse the GEP YouTube channel for the
Bitter Feast Trailer and the Stake Land Trailer and more!
October 1, 2020
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Glass Eye Pix SIZZLE REEL 2020

GEP celebrates 35 years with a brand new Sizzle Reel.
Music by Jeff Grace. Edit by Chris Skotchdopole.
and if you like that we think you’ll like
2015 – 2018 Sizzle Reel, edited by Chris Skotchdopole.
2014 Sizzle Reel, edited by Eric Pennycoff.
All available on YouTube
October 1, 2020
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And now a word from our sponsor: Fessenden kicks off GEP 35 Year Anniversary Celebration

Come back to visit us often for new interviews with Ron Perlman,
a mini-doc featuring GEP composer Jeff Grace,
Music videos from BirdThrower and Life in a Blender,
a tribute to the making of indie films, a shout out to the Glass Eye Pix interns,
more Tales from Beyond the Pale, news about upcoming projects
FOXHOLE, SIZE UP, FEVER, MARKIE IN MILWAUKEE,
and nick nacks from the archives.
October 1, 2020
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The New York Times: THE INNKEEPERS featured in “Stream These Spooky Haunted House Movies” list

Indie director Ti West turned to the haunted house movie with this throwback about an old New England inn on its last night before shutting down. The wage-slave banter between Sara Paxton and Pat Healy as the stewards of this nearly empty hotel recalls “Clerks,” but West dredges up a dark history that expresses itself one final time before the sun comes up. As he does with his retro-’80s horror movie, “The House of the Devil,” West delivers a slow-as-molasses film that builds dread deliberately until its explodes in the final act.

See Full List HERE

September 29, 2020
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WED 30 SEPT: WENDIGO unspools at the Woodstock Film Festival


watch the original trailer, newly restored


Glass Eye Pix kicks off its 35th year anniversary celebration
with a DRIVE-IN screening of Fessenden’s 2001 film WENDIGO
at the Woodstock Film Festival
Q&A with Fessenden and Annie Nocenti before the show

WENDIGO
stars Patricia Clarkson, Jake Webber,
Eric Per Sullivan and John Speredakos. 

“…creates tension and fear out of thin air…”
-Roger Ebert CHICAGO SUN TIMES
“Fessenden approaches the themes and thrills of the classic American horror movies
through a determinedly modern approach, as if John Cassavetes had been working for
Universal in the early 30’s.”
– NEW YORK TIMES
“A lean, brainy horror fable … blurs the distinction between reality and myth,
spiraling us into a harrowing deluge of panic and fright.”
– VARIETY