
Angus O’Brien in Jack Fessenden’s FOXHOLE, unspooling Fall 2021. Photo by Bahram Foroughi

Angus O’Brien in Jack Fessenden’s FOXHOLE, unspooling Fall 2021. Photo by Bahram Foroughi
Cinema Paradiso is hoping to set up shop at 44 Avenue A in the East Village,
where the Pioneer Theatre once was.
The Pioneer Theatre unspooled many Glass Eye classics, such as
HABIT, SANTO DOMINGO BLUES, THE OFF SEASON, THE ROOST,
AUTOMATONS, I CAN SEE YOU, SATAN HATES YOU and more.
|
ComingSoon.net is debuting the exclusive trailer and key art from the drama movie Good Funk, written and directed by Adam Kritzer. The film is the product of an unprecedented film training and visual literacy program that recruited young Brooklynites to learn filmmaking craft, share their stories, and collaborate for pay on a feature film production. The result is a portrait of love enduring and a testament to discovering family in unexpected places. |
Available on all podcast platforms: Spotify, YouTube, Patreon, Apple Podcasts
and iHeartRadio.
Rent or buy it on Amazon Prime, Google Play, Vudu.
When a mysterious figure attacks Anne (Barbara Crampton), the wife of a conservative small-town pastor (Larry Fessenden), it does more than turn her into a bloodsucking monster. The bite from the Master, as the Nosferatu-looking vampire is known, also awakens in Anne a thirst for the self-determination and sexual confidence she’s kept under wraps her entire marriage. Reinvented as a vamp (sorry), Anne is forced to question what it means to be a wife, a woman and a human.
Travis Stevens’s film layers feminism on top of comedy on top of vampire myth and gross-out splatter. It mostly clicks, and the reason is Crampton. With a decades-long career in out-there films including “Re-Animator,” she’s as close to acting royalty as horror gets. Here she is fearless as a woman discovering her powers within. (Stevens told the horror movie magazine Rue Morgue one of his goals was to give Crampton “her version” of Gena Rowlands’s harrowing performance in the John Cassavetes film “A Woman Under the Influence.”) Crampton’s chemistry with Fessenden, another horror vet, is the film’s activating element.
SEE SAW: writer/director Ben Duff. (2014, 9 mins)
Cinematography by Ben Duff.
Featuring Annabeth Faucher and Bryan Papciak.
G&E by Abbey Killheffer.
watch the teaser below
and join us in the CineZone to see the film
