From Merve Emre at the Los Angeles Review of Books:
FOR MANY INDEPENDENT FILMMAKERS today, “Most Walked-Out Film at Sundance 2012” is a perverse badge of honor, and Rick Alverson’s deceptively titled The Comedy wears it with pride. That much seems clear from the film’s opening shot: a slow-mo wrestling match between two fat, drunk, and nearly naked men, wheezy 30-somethings whose unlovely flesh swells and falls in time to Donnie and Joe Emerson’s soulful 1979 hit “Baby.” Unlike the sweet   Continue Reading »