Fessenden gives basically the same interview all over again in Sean Alexander’s article for Cinephiled:
Watching with Larry Fessenden, director of ‘Beneath’
Larry Fessenden loves horror movies. As a director he has brought his own unique approach to the classic horror stories and conventions in such films as Habit, Wendigo, and his animist ghost story / environmental thriller The Last Winter. Through his production company Glass Eye Pix his has produced or co-produced dozens of films, including Kelly Reichert’s Wendy and Lucy andNight Moves, Ti West’s The House of the Devil and The Innkeepers, Jim Mickle’s Stake Land, and the recent documentary Birth of the Living Dead, a tribute to one of the holy grails of modern horror.
Apart from an episode of the horror TV series Fear Itself, Fessenden hasn’t directed a film since the 2004The Last Winter, an eco-twist on the ghost story in the culture of big oil, so the arrival of Beneath, about a group of teenagers, a rowboat in the middle of a lake, and a giant, hungry, man-eating catfish looking for its next meal, is reason to celebrate. It begins as a classic tale of teens behaving badly, and more importantly stupidly, but what first appears to be a lazy set-up to stake out its victims for the movie menace turns out to be an insidious insight to the true nature of its characters and the basis for the real conflict of the film. It’s a smart, savage film that plays with the familiar conventions and then twists a knife in them, and it’s all done with a small cast, a confined space, and a script that reveals the worst in humanity.