November 1, 2017
Facebook Twitter Email

IndieWire: Overlook Film festival moves to New Orleans!

The festival that began as the Stanley Film Festival in Boulder Colorado and has hosted Tales From Beyond The Pale for three years running, most recently at the Timberline Lodge in Oregon, has moved again to the Haunted Bourbon Hotel in Haunted New Orleans. IndieWire has the scoop!
June 15, 2017
Facebook Twitter Email

IndieWire: MOST BEAUTIFUL ISLAND one of 20 movies that define this year in cinema

From Indiewire:

Ana Asensio’s SXSW winner burst onto the scene when it bowed at the festival back in March, and as it hits BAM and readies for a theatrical rollout, the timely feature will likely only garner more well-deserved attention. Our review explained, “Asensio, a thirtysomething Spanish actress whose work is virtually unseen on these shores, not only wrote, directed, and produced this fraught metropolitan thriller, she also appears in just about every frame. And while the film might begin by suggesting that its heroine was chosen at random (a mesmeric prologue follows seven different women as they weave through the sidewalks of Manhattan, the camera picking them out of a crowd as if to wordlessly reassert that most of the Naked City’s seven million stories remain untold), Asensio’s compulsively watchable lead performance splits the difference between the specific and the representational.”

See it at the NY premiere at the BAM Cinema Fest this Wednesday 6/21. Tix on sale!

October 4, 2016
Facebook Twitter Email

indiewire: “We don’t appreciate Kelly Reichardt enough”!

Kelly Reichardt’s CERTAIN WOMEN is out in theaters Oct 14.
Reichardt speaks with Indiewire‘s Eric Kohn and Fessenden chimes in about their long association.


Read article HERE

August 29, 2016
Facebook Twitter Email

Indiewire talks RANGER and other projects at Frontières

Looking for a way to get your indie genre film made? You might wanna read this! Frontières at Fantasia Fest has some promising projects coming through those doors, including GEP producer Jenn Wexler’s directorial debut, THE RANGER.


Full Article

May 8, 2016
Facebook Twitter Email

Congrats to our friends heading to Cannes with THE TRANSFIGURATION

GEP pal Susan Leber (producer on THE ROOST and LIBERTY KID) heads to the Cannes Film Festival with Michael O’Shea’s THE TRANSFIGURATION starring Eric Ruffin and featuring the requisite appearance by Fessenden. With Special makeup effects by Glass Eye Pals Spears and Gerner. Curious? Indiewire has some insight.


April 4, 2016
Facebook Twitter Email

DARLING Weekend Round Up

 — Tribeca “What To See This Weekend” list!
Screen Shot 2016-04-04 at 11.54.38 AM
— Indiewire
— DARLING inspired Flavorwire list.
— Glide Magazine


December 5, 2015
Facebook Twitter Email


Indiewire presents James Felix McKenny’s Season 3 TALES FROM BEYOND THE PALE episode, THE TRIBUNAL OF MINOS.

Read on for more info and an interview with McKenny.

September 29, 2015
Facebook Twitter Email

Screen Media Films Picks Up DARLING

Screen Media Films has picked up worldwide acquisition rights for the Mickey Keating-directed GEP flick, DARLING. From the Indiewire News Release:


After a weekend of negotiations following its Fantastic Fest premiere on Friday night, Screen Media Films has landed worldwide acquisition rights to Mickey Keating’s “Darling,” starring Lauren Ashley Carter, Sean Young, Larry Fessenden and Brian Morvant.

“Darling” stars Carter as a young woman who goes crazy after taking a caretaker job at an ancient home in New York.

“Very few movies can make me incredibly uncomfortable while fascinating me,” said Seth Needle, Director of Worldwide Acquisitions, Screen Media Films. “Mickey Keating’s terrific film does just that, while paying homage to some of my absolute favorite genre films. I couldn’t be happier to be involved with distributing this one.”

“‘Darling’ is a love letter to those chilling, old-school horror films that get under your skin and stay there,” added Keating. “I’m thrilled and honored to be teaming up with Screen Media to cause some serious nightmares for audiences around the globe.”

The deal was negotiated by Needle at Screen Media, with Bill Straus of newly formed Bridge Independent on behalf of the filmmakers. Screen Media Films will release the film in theaters in early 2016.

March 25, 2014
Facebook Twitter Email

Indiewire on BENEATH

From Sean Axmaker at Indiewire:

“Beneath” was one of the best horror film of 2013. But most people never heard about it.

Produced by Chiller, a horror-themed sibling to the SyFy cable network still struggling for name recognition and access to cable systems, “Beneath” is the first feature in almost a decade directed by Larry Fessenden. It played a few film festivals and received a limited (very limited) release in July before hitting cable on a channel that few viewers know exists. Which means that hardly anyone has had an opportunity to see the film. With the movie coming out on DVD and Blu-ray this week, that should change.

The limited coverage it has received so far, at least on the horror-centric sites, seems to have missed the point, or at least became so complacent in their own superiority to the conventions of the genre that they never noticed how cleverly Fessenden, who has been turning classic horror genres inside out for over twenty years, and the screenwriters transformed the conventions of this genre—notably the idiotic behavior of potential teenage victims—into defining elements of story and character.

“Beneath” is both a tribute to monster-in-the-woods and the creature-under-the-water horror (the opening dream sequence turns the “Jaws” prologue into a teenage wet dream) and a genuine indie drama in the guise of a horror film. It springs from Fessenden’s love of reimagining classic genres in modern terms and real-world situations, and for using the conventions to tell character stories. And it was accomplished on a commercial cable movie budget.

The opening act unfolds like a classic “teens under attack” horror film: six friends drive out to the woods to celebrate high school graduation with beer and fireworks on an island in the middle of an isolated lake. You can check off the tropes as they roll out: the competitive jock brothers, the nerdy video guy who won’t stop filming his friends (and provokes them in the name of drama), the bubbly and sweet-natured blonde babe that all the guys desire, the other girl (who just may also desire the blonde), and the brooding guy who guides them all to this hidden lake.

Johnny (Daniel Zovatto), the brooding one, knows of the legend a lake monster but neglects to tell his friends. Maybe he really doesn’t believe it, but he brings along a rustic charm just in case and he tries to give one to Kitty (Bonnie Dennison), the blonde. There’s even an old guy on the property (played by “Breaking Bad” drug kingpin Mark Margolis) with the usual warnings. Johnny assures him that he’ll keep the kids out of the water … because that’s gonna work out great. Sure enough, a monster of a catfish the size of a Buick comes prowling as soon as the kids jump in the water.

For the next half hour the kids do all the dumb, reckless, aggressive things guaranteed to strand them in the middle of the lake without a paddle. The jocks, pumped up on testosterone and their own egos, poke it with a stick, or in this case an oar. Old Man Catfish renders it to splinters with a mighty chomp. When they run out of paddles (because they aren’t bright enough to learn from their mistakes) they starts tossing one another overboard, voting members off the boat like a real-world “Survivor,” only here the losers become fish bait, sacrifices to distract an indifference fish god. And the aspiring director, Zeke, is there to record it all in his own reality horror.

Then something interesting happens. What first appears to be a lazy set-up to stake out its victims for the movie menace turns out to be an insidious insight to the true nature of its characters and the basis for the real conflict of the film. The crisis dredges up the envy, resentment, spite, and animosity these kids have been burying all this time under snarky remarks and dirty looks. Get past the genre and this is David Mamet in a boat, a savage portrait of survivalism at all costs. The so-called best friends turn on one other with a venomous vengeance.

“Beneath” turns into a smart, savage film that plays with the familiar conventions and then twists a knife in them, and it’s all done with a small cast, a confined space, and a script that reveals the worst in humanity. It looks less like a TV movie than a theatrical indie. Apart from the opening, it all takes place in the boat on the midst of a wooded lake, shot in the harsh light of day rather than the shadows of night, out in the open with a clean, sharp visual style. Not your usual visual strategy for a low-budget monster movie.

Read More…

May 3, 2013
Facebook Twitter Email

Poster for Larry Fessenden’s BENEATH


The Stanley Film Festival, an inaugural festival celebrating the best in independent horror, launches today in Estes Park, Colorado at the famous Stanley Hotel, the haunted landmark that inspired “The Shining”‘s Overlook Hotel. To kick it off, Indiewire is pleased to debut the poster for one of the features screening at the festival, Larry Fessenden’s “Beneath.”
The horror pic centers on a group of friends celebrating their high school graduation at a remote lake location. Things take a turn for   Continue Reading »