Glass Eye Pix pitches I Sell The Dead sequel Grimes & Blake At Your Service at Frontières.
Read the Frontières article HERE.
Glass Eye Pix pitches I Sell The Dead sequel Grimes & Blake At Your Service at Frontières.
Read the Frontières article HERE.
WENDIGO on 35mm at Boston’s Brattle TONIGHT! Fessenden attends! Boston Underground Film Festival
Fessenden and Reichardt shooting River of Grass in Florida.
Newly restored version now playing at the IFC Center and streaming online at Fandor.
Have you heard the buzz about the new restoration of Kelly Reichardt’s debut film River of Grass? Check out some of the reviews, including an AV Club interview with Reichardt. It is now available for streaming on Fandor!
A Glass Eye Pix produced short, The Past Inside the Present premiered at this year’s Slamdance Film Festival 2016. Get an inside look with director James Siewert on the 3 year process of making the film.
Our 30th Anniversary Hootenanny continues with this series of Legacy Docs celebrating the community and collaborators that have kept us honest all these years…
Glass Eye Pix 30th Anniversary Mini-Doc: Makeup artist Brian Spears has been creating monsters and gore effects for Glass Eye Pix since 2007’s I SELL THE DEAD. With his partner Peter Gerner, Spears has created ghosts, vampires, zombies and even an old man in GEP films BLOOD RED EARTH, BITTER FEAST, STAKE LAND, HYPOTHERMIA, THE INNKEEPERS, BENEATH, LATE PHASES, DARLING and RIDING SHOTGUN. Spears recalls the family atmosphere at Fessenden’s production company over the years. Edit by Chris Skotchdopole.
Our 30th Anniversary Hootenanny continues with this series of Legacy Docs celebrating the community and collaborators that have kept us honest all these years…
Glass Eye Pix 30th Anniversary Mini-Doc: Producer Peter Phok, has been producing for GEP since 2005, playing essential roles on THE ROOST, TRIGGER MAN, I CAN SEE YOU, I SELL THE DEAD, BLOOD RED EARTH, THE HOUSE OF THE DEVIL, STAKE LAND, BITTER FEAST, HYPOTHERMIA, THE INNKEEPERS and BENEATH. He speaks about his time working at Fessenden’s Independent production company. Edit by Chris Skotchdopole.