I don’t know if I could come up with my own personal list of today’s top American filmmakers right now (too many of them are too inconsistent, inactive or new these days), but if Kelly Reichardt were one of the names on someone else’s list, I wouldn’t be mad at that. These days when I think of “American Cinema”, I think of stuff like Old Joy. In the last 8 years, Kelly Reichardt has explored everything from poverty (Wendy & Lucy) & “eco-terrorism” (Night Moves) to this country’s history (Meek’s Cutoff) & the importance of friendship (Old Joy). And what’s so great is that she touches on all these topics in a subtle/non-preachy way. Kelly Reichardt has been one of the true MVP’s this year here at PINNLAND EMPIRE so it’s only right that we explore her filmography.