Filmstage: “Like Chelsea, there’s a lot going on beneath the film’s surface. Wexler uses horror tropes as a mask for a poignant look at identity and finding the strength to wield it as a weapon rather than hiding it away to fit in. And she isn’t afraid to show this truth through the cracks of her jump scares and gore, letting characters like Garth play the fool so his moment of bald honesty when alone with Chelsea towards the end can resonate all the more. These kids are using their punk lifestyle as a means to escape too. But where they escaped from what they didn’t want and couldn’t be, she sought camouflage in hopes it would stick. It’s only fitting that violence would ultimately bring everything flooding back.”
Read review HERE.